Posted on March 14, 2009 by Monica Valentinelli
As a horror and dark fantasy writer and fan of the genre for years, I’ve noticed certain horror tropes that are used time and time again. For example, in supernatural horror you will almost always see the pentagram used as a satanic symbol and the story will typically revolve around the Catholic religion. In slasher flicks, typically there’s always one modelesque female who ends up getting slaughtered viciously in a gory bloodfest. Vampire stories range from the horrific to the romantic, but almost always center around a Master Vampire who is deathly allergic to sunlight. I’m sure you can name several horror tropes that you recognize, but do you know where these tropes began?
Posted on November 6, 2008 by Flames
Our ongoing Horror Design Essay Project has a new contribution today. Horror author Paul Alabaster offers a peak into his creative writing process and gives us a look at what he has in store for the future…
Chasing His Nightmares
My love of stories came from my mother – Jacqueline. I always remember whilst tucked up in bed, my mother reading me bedtime stories of Winnie the Pooh. I would listen with eager delight to what misadventures Pooh Bear had gotten himself (and his ever-forgiving friends) in to. Another beloved treasure I adored my mother reading to me was C.S. Lewis’ The Lion, The Witch & The Wardrobe.
Posted on April 25, 2008 by Flames
Where does inspiration come from? What secrets lie at the heart of an author’s stories and novels? What is written on the invisible ink between the lines of dialogue and description? Most writers will never tell you, will leave you to guess at the connections between their fiction and their lives.
Jack Ketchum gives a rare and intimate look into his world and into some of the people who have influenced his life in this collection of essays. Idols and friends, lovers and strangers are revealed, examined, adored and lamented as only Jack Ketchum can.
Pre-Order BOOK OF SOULS by Jack Ketchum (Limited Edition) at Horror Mall.