Arise, Tiamat!” the first single from DUNGEONS & DRAGONS – Bardic Inspiration: A Musical Journey through the Forgotten Realms has just dropped ahead of the album’s November release.
Composed by Michael Gatt to celebrate the 50th anniversary of Dungeons and Dragons, the album presents 12 original tracks inspired by iconic locations within D&D’s most famous setting, the Forgotten Realms. Each track serves as an aural homage to the rich lore and enchanting adventures that have defined D&D for half a century.
The new Syrinscape Web Player makes it easier than ever to add immersive sound and music to online tabletop roleplaying games (TTRPGs). Syrinscape Pty Ltd, creators of the revolutionary app adding immersive sound and original music to your tabletop roleplaying games, announces the release of the new Syrinscape Web Player. This amazing new tech promises […]
On September 14th, Universal Orlando will re-release Midnight Syndicate’s Music of Halloween Horror Nights. This limited-edition run of 1000 copies features new artwork and is pressed on golden orange vinyl. The album will be sold in the Halloween Horror Nights Tribute Store as well as on the Universal Orlando Online Merchandise Store for a limited […]
So when I listen to music I generally do it out of a need to write something and I generally do it out of another need to fill up the continual space between the silence of my day and the clicking of my keyboard, but it’s not normally music that I haven’t heard before, because I am getting old and the older we get the harder it seems to be to get into newer music. That’s why growing up kids is hard to do…because eventually you will find yourself at a club or a bar and hear a song that you really like, you’ll start to bob or nod your head a little and then it will hit you. From somewhere out of the corner of your eye you’ll see bright and fresh faced early twenty something’s that are just learning that “Yager Chasers” are the two deadliest words to have ever been combined in the English language. They will be mocking your prehistoric head movements and you will, I say the word will with emphatic surety; want to punch them in the face.
After a long break Spirit Creek is back. They just had a show at G-Daddy’s BBC in Milwaukee, WI to release a new CD called “A Culture of Unaccountability” which you should be able to buy online at CDBaby any day now.
Like their other selections, Blood of Angels is based on a theme. In this case, the idea that the “Watchers” alluded to in myth and religious texts were angels that fell from Heaven to fall in love with humans.
Mythmaker, while affording Key and Ogre their individualism as musician and artist and possessing the “updated” sound of the current iteration of Skinny Puppy, reaches back in time. Back into the closets. Back down into some of the hidden holes and shallow graves that the band had dug with their bare hands back in the day when they began pioneering away from Winnipeg and into the faces of the rest of the world, changing the meaningless term of “post-punk” into the force to be reckoned with genre of modern industrial music.
Ahoy matey! These days pirates and swashbucklers are all the rage on land and on sea. With roleplaying games like the recently released Conan: the Pirate Isles by Paizo Publishing and the older title Skull and Bones by Green Ronin out on the market, it should come as no surprise that GMs and players alike are on the hunt for some mood-setting music.
The intro track had set a wonderful feeling for the soundtrack, giving a nice intro and everything. As the CD got going though, I found my self increasingly tuning it out. Not because the music was boring, but because besides the first intro track, every track is well over 5 minutes a piece, most being 7-9 minutes in length. Now, this isn’t some mainstream CD, so track lengths aren’t really applicable here. But over 7 minutes of non-developed musical ideas makes for a very boring CD to listen to.
I’ve been picking up various motion picture scores (not soundtracks) and King Diamond albums (no kidding) for years to use as background music in my campaigns, but I’ve never been very impressed with any self-produced albums meant specifically to serve as roleplaying campaign scores. For the most part, I’ve found such efforts to be of an amateurish quality at best, often sounding more like a funhouse sound reel than a musical composition. Nox Arcana changed this by delivering a polished, professional and purely enjoyable product in Darklore Manor.
Desecrated Ashes was the full release of the EP Consecrated Ashes. The release year was 2003, and the band has continued to do well. URN is based out of Chicago, but has toured in many cities. They have even had airplay of their music in Canada and Mexico, not to mention the United States.
On first listen, Desecrated Ashes was a little hard to get into. Honestly, I felt very indifferent about the album. After more listening, I really started to warm up to the music.
Nox Arcana delves headfirst into the darkness with its musical tribute to the Cthulhu mythos. Creating a haunting festival of sounds to this is a challenging feat—every day that passes Cthulhu transforms into more of an icon than a mere concept of Lovecraft’s imagination. Nox Arcana delivers its tribute in a jarring way; this is not a CD that should be idly played in the background, this is a performance that demands your attention.
Haverghast Mansion sits beyond a path through the mist, where crickets herald your coming and cascading violins cry of deadly possibilities. “The 13th Hour”, a “haunting blend of horror movie music, dark orchestration, and chilling sound effects”, is more than just a group of sounds thrown together on a page. It’s a purposeful collection of music designed to tell a story from the first song title to the next. Songs like “Mansion in the Mist” conjure images of a Victorian mansion decayed through time and neglect, flow into the next by an expert set of unseen hands.
