Special guest post by The Dead Path author Stephen M. Irwin

When I began writing The Dead Path – in fact, sometime before I began the penning process – I grappled for a long while with the concept of ghosts. I had decided to write a novel, and knew I wanted it to be a ghost story and that it would be set it in my hometown of Brisbane. But writing a ghost story is a bit like putting on wings and a beak on the first day of duck season – unless you look different to the rest of the flock, you run the risk of being shot down quite quickly (I imagine it is at present a risk even more onerous for authors considering writing tales concerning vampires). Ghost stories are as old as human storytelling; they exist in every culture and predate our major religions. And ghosts rank among the most famous of literary characters and religious figures – Hamlet’s ghost, Jacob Marley’s ghost, the Holy Ghost …

For a long time, Joe Pitt has been on the receiving end of the whip-as stick, and you might be wondering if he gets to turn it around in this, the final book of the Joe Pitt Casebooks series. I can tell you definitively and without a doubt that everyone gets what’s coming to them. And I do mean everyone.

Let’s be honest. Joe Pitt isn’t exactly what you’d call a hero; hasn’t been for the last several books. The darkness has been closing around him for a long time. The thing about darkness, though, is that it’s not always bad. Oppressors can be fled. Justice can be served.