Cheerbleeders is a short horror film by Peter Podgursky, the proud owner of a MFA in Film Production from USC. In fact, these eleven minutes of cinematic fun comprised his thesis project and it has since made the rounds at several horror film fests winning best short at the Phoenix Fear Film festival 2008.

Here’s the dirt: Best friends, Penny and Devon (Laurel Vail and Wyatt Fenner), are high school misfits in Blackfoot, Idaho - a tiny and isolated burg. When Penny brings an ancient urn to class, it accidentally spills its black slimy contents on Devon. This black sludge is essentially a gnarly love potion, turning him into…gasp…the most popular kid at school! Drunk with power, Devon holds sway over everyone, including the cheerleading squad, which he commands to massacre the football team, midgame. Can Penny stop the insidious evil known as unrestrained adolescent popularity?

Not too long ago I would’ve decorated my kitchen with Evil Dead wallpaper had such a product been available. I was fully prepared to name my first born child Ash and the thought of having a chainsaw-enhanced appendage didn’t seem all that bad to me.

Then Sam Raimi made three underwhelming Spiderman movies and I managed to get married. These events ushered in a new, more restrained era in my life and I agreed to relinquish both the home decorating and child naming duties. I also grew bored with Sam Raimi as a filmmaker. I got through it mainly by buying approximately 17 versions of each Evil Dead movie on VHS, DVD, and Blu-ray. It’s obvious that those in the Home Video racket understand there are suckers out there like me, so why not release these movies incessantly and with slightly different packaging? I’ll buy them. But I digress.

Always treat others how you like to be treated, or else you will get a sinister Gypsy curse placed upon you. Within 3 days your life turns to hell, and then you go to there.

The movie tells the story of Christine (Lohman), a young loan officer who is struggling to get a promotion at her bank. She faces stiff competition from Stu (Reggie Lee), a conniving trainee who wants the same assistant manager position Christine wants. When the opportunity comes to make a decision that will help her career, she decides to foreclose on Mrs. Ganush’s house. Mrs. Ganush (Lorna Raver) believes Christine has shamed her by refusing to help her keep her home, and stalks Christine to her car. After an over the top fight scene involving car crashes, a fist fight involving office equipment, and a vicious gumming at the hands of Mrs. Ganush (you read that right), she places a curse upon Christine, calling on the Lamia to exact her revenge.

Review by John D. Kennedy

It’s no secret I’m a fan of the Hellboy franchise, so when I found out that Doug Jones (Abe Sapien) was acting in a new series called Angel Of Death, I was pretty excited about it. Then I found out that the series is not your full-length, standard fare — they’re webisodes offered for free on www.crackle.com, a venture by entertainment giant Sony.

Created by comic industry veteran Ed Brubaker, Angel Of Death is a series starring Zoe Bell. Zoe plays a character named “Eve,” a brutal assassin who starts off the series with very little humanity. The first episode introduces us to her deadly world — a world so messed up that she accidentally kills a little girl. The series explores Zoe’s character in full detail, to explore whether or not she’s truly an assassin without a conscious. Instead of following orders from her boss “aka lover” Graham, she’s gone renegade to do the bidding of a very unhappy ghost. Does her victim haunt her? Or did the knife that was stuck in Zoe’s brain have some kind of an effect on her?

Anime has come a long way since Astroboy and Voltron, as is evidenced by even the merest glimpse of Ergo Proxy. This visual delight, though perhaps not the latest, is - in this reviewer’s opinion - one of the greatest anime series to come out in recent history.

Delightfully dark, Ergo Proxy revolves around two main characters: Re-l Mayer and Vincent Law. Re-l, privileged Citizen and Security Bureau member of the post-apocalyptic eden-dome of Romdo, becomes rapidly obsessed with a bizarre series of murders committed by AutoReiv androids.

Review by Aly Condon

In 1986-87 Alan Moore and Dave Gibbons created a twelve part comic book series called Watchmen that was released by DC Comics. The series garnered immediate critical praise and sales success. These twelve issues were quickly reprinted together and released as the first graphic novel. Much like the super heroes by which it was inspired, Watchmen slammed through the boundaries of what comic books were thought to be, redefining the form and permanently changing the ambitions of the comic book industry.

After years of starts and stops Watchmen has finally found its way to the big screen. Directed by Zack Snyder (300, Dawn of the Dead remake) and starring Malin Akerman, Billy Crudup, Jackie Earle Haley, and Patrick Wilson, the film version adheres to the book much more closely than I thought possible. And as crazy as this may sound, I’m not convinced that’s an entirely good thing.

Review by Jason Thorson

George Romero’s Diary of the Dead (2007) is a lot like Jell-o to my cinematic palette; that’s to say there’s always room for more zombie flicks from the man who invented them.

Diary tells the tale of a group of film students and their professor from the University of Pittsburg as they shoot a “mummy” movie in rural Pennsylvania. Meanwhile, a zombie plague breaks out, quickly spreading around the world. The cadre of survivors packs up their film equipment and hits the road in search of sanctuary from the pending apocalypse. They soon turn their equipment toward the unfolding catastrophe, documenting it on the fly and posting it online.

Review by Jason Thorson

Once in a while a movie comes along so epic, so terrifying, that its review requires two authors. Call of Cthulhu (2005) is just such a movie. Produced by the H. P. Lovecraft Historical Society, this modern silent film treatment of the classic Lovecraft tale is remarkably effective: creepy but not gory, atmospheric but well-paced. The film is in black and white “Mythoscope,” meaning it’s artificially aged so as to seem vintage, and the soundtrack may be played in “Mythophone”, so that the music seems aged to match the film. Bill and Tracy offer their views below; Bill is a longtime Lovecraft aficionado, while Tracy prefers monsters of the Universal or Japanese vintage.

Friday the 13th opens with a flashback to Crystal Lake in 1980 as Alice beheads Pamela Voorhees with a machete. Then we’re introduced to a cadre of modern day horn dogs as they trek through the deep woods somewhere near the now abandoned Camp Crystal Lake. The coordinates of their marijuana crop have been programmed into their GPS unit, but they can’t seem to find anything. Sensing they’re close they decide to make camp and resume searching come morning. Hot casual sex ensues as well as some pot smoking followed by a cavalcade of brutal butchering courtesy of Jason Voorhees. And that’s just the prologue, ladies and gentlemen.

Review by Jason Thorson

Hurts so Good: A Friday the 13th Retrospective Part 1 wrapped up with Friday the 13th Part VI: Jason Lives. Be sure to check out Retrospective Part 1 before continuing here.

There are so many Friday the 13th movies, even this retrospective gets a sequel. So let’s continue with our bloody stalk down memory lane as we try to answer the question: Despite these movies being so bad, why do I and millions of others love them?

Jason Thorson

On February 13th, 2009 a new installment of horror cinema’s most prolific series opens, unlocking Camp Crystal Lake and unleashing Jason Voorhees on yet another generation of horror fans. By way of Michael Bay and Platinum Dunes, Marcus Nispel’s (Texas Chainsaw Massacre remake 2003) Friday the 13th re-imagining/remake will mark the twelfth time in the last 29 years that we’ve been given the opportunity to spend an hour and a half at Camp blood.

The Friday the 13th films are guilty pleasures one and all. They’ve contributed as much to the global pop cultural make up as any other film or film series made. The iconography in these movies is among the most recognizable, comparable to The Wizard of Oz and Star Wars. The hockey mask-wearing, machete-wielding maniac is now considered cliché. Harry Manfredini’s musical score has been imitated arguably more than any other. And we all know what happens to those morally bankrupt youngsters who have sex, do drugs, and decide the investigate strange noises - rules that have become permanent fixtures in the horror genre.

Jason Thorson

Last house on the Left is director’s Wes Craven’s (Nightmare on Elm Street, Scream) first movie. It’s a low budget exploitation movie about two teenagers that head to the big city to attend a BloodLust concert. On the way they get kidnapped by a gang of escaped convicts that torture and rape them.Then the movie takes a turn into revenge tale territory where bad guys get their comeuppance. I thought the movie was OK, certainly not the masterpiece I expected to see, judging from the hype surrounding it. The plot is pretty standard fare, the characters rarely have any kind of motive or reasoning behind their actions and there are plot holes in most of the film.

Review by George Cotronis

It’s Halloween season and until this weekend the movie theatres had offered horror fans zero tricks or treats. On October 10th director John Erick Dowdle’s Quarantine became this season’s first theatrically released genre movie and by default it vaulted to the top of my must-see list.

Quarantine, the American remake of last year’s well-received Spanish genre offering, [REC], opens with TV reporter Angela Vidal (Jennifer Carpenter) and her cameraman Scott (Steve Harris) filming an episode of their soft news program in which they profile the firemen at a Los Angeles fire station.

Review by Jason Thorson

Filmed on location in gorgeous Marin County, California, The Beckoning is an independent horror film based on the legend of Sir Francis Drake. In 1579, Sir Drake landed in California, claiming the land as “Nova Albion” or “New White.” The story of the film is a look at a legend surrounding this historical figure; Drake’s burning of a Native American woman at the stake for setting a pox upon Natives and English alike.

As a fan of Big Red, I was eagerly anticipating seeing this sequel to Hellboy after watching the Hellboy and the Golden Army trailer and hearing about Guillermo del Toro’s involvement with the film. Impressed with del Toro’s work on Pan’s Labyrinth and Christopher Golden’s novelization of Hellboy with artist Mike Mignola, I went into the movie with certain expectations.

Like other films and content within the Hellboy franchise–you do not need to be familiar with the characters or the setting to watch this film.

With sold out shows and talks of an Oscar, if you haven’t seen The Dark Knight you’re probably wondering if it lives up to all of the hype. Even within the body of countless movie reviews for the film there are a few who, believe it or not, don’t like The Dark Knight. Why? You see, the one thing this comic book movie has at its core (that other movies of a similar type don’t) is an atypical visibility to a broader audience. While it’s impossible to find a true statistic, could it be safe to assume that people unfamiliar with the darker Batman franchise went to see the movie just because it was Heath Ledger’s last role?

“And what have you done lately?” So ends a fast-paced, winner-take-all honey of a comic book brought to life. Wanted builds from a nicely sardonic character study through a romp of an action film into a colossal final fight built around a twist that suddenly catapults the movie from a fun night out into an edge-of-the-seat thrill ride. It may start out slowly, but this movie ends with a bang so big, it will leave you grinning with malicious glee. All nice words aside, don’t go to this movie looking for high drama and a soaring intellectual quotient—although the movie does, at times, make witty, ironic jokes worthy of a wry smile. But if you enjoy a dark comic book writ large and riddled with as much wordplay as bullets, then this is the movie for you.

Review by Dana Hagengruber

Starring the voices of Ron Perlman, Selma Blair, Doug Jones and John Hurt

What do vampires, an ancient goddess and Hellboy have in common? In this animated feature film, Hellboy and all his friends take on myth in his signature, sardonic style. True to the mythos, there is a touch of good versus evil mixed in with some savvy backstory and character development.

Review by Monica Valentinelli

Independent films often struggle with their ability to attain audiences and garner recognition. I like to think that some of these lesser-known films are self-aware, either stretching their boundaries to be a “great” film, or toying with conventional filmmaking to experiment with the media.

Review by Monica Valentinelli

A Japanese terror movie remake is frequently a bad idea, but an American horror movie that looks like one is worst. “Wind chill” tries to tell a declared true story in a Japanese way. That means to use a claustrophobic atmosphere, an aesthetic style and especially a plot based on spirits that want revenge. But in the end, it’s just a nothing-happens movie with bad acting and lazy direction.

Review by Douglas Lobo