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This ambitious Savage Worlds setting mixes Norse and Pre-Columbian Native American lore into a sword and sorcery setting I find damn interesting. First, the artwork and layout of the book is an outstanding mix of watermarked images, detailed artwork, and fresh creativity. I’d love to see this book in color, which is really my only complaint about the book. Consider me spoiled.
There are few times that a supplement supersedes the production value of its core work. This is one of those times. The artwork of this book easily bests the majority of Savage Worlds releases, including the core book. The writing is excellent, providing a rich background for players to explore.
A man’s purchase of a used computer leads to an unfortunate discovery. Soon, he’s on a mission to save his fiancee from the clutches of a madman and an insidious cult. But in the small town where she’s held captive, he discovers that nothing is exactly as it seems. Once he crosses paths with a father and son monster-hunting team, his world unravels. Death and dark magicks lurk around every corner.
The characters are pretty solid. Donald, the protagonist, is believable as an ambitious and caring, if somewhat bumbling, man that eventually finds the strength to fight evil.
“A stunning full-color celebration of the eye-catchingly original artwork creator Roman Dirge, the first anthology of his work available anywhere. This lavish hardback includes an introduction and background commentary information on the imagery by Dirge himself, plus previously unpublished artwork, covers and strips, and paintings. The book also includes fold-out pages, displaying Dirge’s work in its full glory, and some brand-new pieces created just for this book!”
I have never reviewed an art book before, so I guess it is only fitting that I start with an artist whose work I love. Now being an art book please note that this book contains tons of GORE-Geous pictures.
Anthologies like The Unspeakable Oath are a mixed bag. Dragon, Dungeon, White Wolf Magazine, Eden Studios Presents, and others are testament to this. Sometimes a great collection of talent can make the uninteresting (to me) fascinating. The other is likewise true. No particular title is safe. You have to take each edition as a singular creature.
First off, I find that the included art to #20 is top notch, particularly the cover artwork by Todd Shearer. The interior illustrators offered a surprising volume of artwork to the collection. The layout ranged from the scribbled nonsense (fine for the subject matter) to smooth looking black bars. Some ads are scattered throughout the book, even put into the columns of articles. It’s a smooth fit.
There is a terrific amount of material in this installment, much of which is aimed at Delta Green (fine by me).
Where has the time gone? Knowing this game has been out for twenty years seems wrong to me. There are gamers in my group who were ONE when I was thumbing through my
first copy of the original edition. Wrong, so wrong! Rather than share my Vampire recollection here, I’ll instead talk about this massive (529 pages) winner of the (I assume) 2012 Origins award.
One aspect to the book that is unchanged is it’s layout. The book looks identical to the 2nd release in terms of fonts and structure. Mixed with art both new and old, this makes for a strong sense of nostalgia. The look of the book–fenced in borders, eye-catching headers, and more–was excellent twenty years ago and has aged well. If anything, they have enriched it by adding much-needed color to the mix.
Story: A desperate pilot takes a shady job from an even shadier employer. Before long, he realizes that there’s a not-too-pleasant future in store for him. It kind of reminded me of a segment out of the original HEAVY METAL movie. A scared pilot and weird locale = an interesting mix.
Characters: Solid. The dialogue reveals a lot about the personalities of each individual, without being tiresome. Descriptions of mannerisms, etc., are vivid but minimal, allowing the story to flow naturally.
I had no idea what I was in for a year ago when I rented “Trick ‘r Treat” on Netflix. I‘d hear nothing about this film from anyone, but I read on the Netflix site that it starred Anna Paquin, Brian Cox and Dylan Baker (three actors whom I dig mucho) and the story description went like this: “In writer-director Michael Dougherty’s fright fest, Halloween’s usually boisterous traditions turn deadly, and everyone in a small town tries to survive one night in pure hell … but who will still be alive in the morning? Several stories weave together, including a loner fending off a demented trick-or-treater’s attacks; kids uncovering a freaky secret; a school principal — who moonlights as a serial killer, and more.” To me, this sounded like a potentially good time and I added it to the list.
Josh, Renai and their 3 children are the typical middle class American family. In what feels like a cliched setup, the Lambert family has just moved into a house, only to learn soon enough that it happens to be haunted. Various staples of ghost story elements follow, which are seemingly set up to where you feel a “poltergeist” clone coming on. But then… the entire feel and angle of the film is turned on its head, creating one of the best ghost story films released in years!
I intended to review INSIDIOUS when I saw it at the theater months ago. I so dug the hell out of this flick, so much so that I went to see it twice, which was a big deal as I’m currently a full time student who really has to mind his funds.
In a modernized spin on the classic story “Pigeons from Hell” by Robert E. Howard, we are following two African-American sisters and their friends into the murky swamplands to check out their inheritance: the old Blassenville manor. They quickly start to sense that something isn’t quite right in that ramshackle of a house, and things soon takes a sinister turn when one of the male characters falls through the rotten stairs and breaks his leg. After a failed attempt of getting out of the swamplands, they are being forced to stay the night in the manor.
Roleplaying game scenarist, short film maker, podcaster, and graphic designer Ross Payton adds a new laurel to his crown with Zombies of the World: A Field Guide to the Undead. At only 112 trade-paperback pages, Payton does not aim for completness, but for richness. And between his light authorial tone, his slamming graphic design chops, and his slavering hunger for the topic, he shoots his target square in the head.
Zombies of the World presents itself as a kind of all-in-one reference book, from a world in which the walking dead are, if not common, relatively well documented. If Dorling Kindersley published a zombie book, it might look something like this.
There are only a few films from my childhood that fills me with nostalgic glee every time I reminisce about them. The 1981 made-for-TV horror movie “Dark Night of the Scarecrow” is one of those movies. There are a lot of movies that I can sort of remember watching the first time, but I can still recall in vivid detail the first time I watched this one, and it’s a good memory for me.
I was at my best bud Ken’s house, who’d seen DNS a year earlier with his folks, and was so taken by it that the boxer puppy they adopted a few weeks later was named after the main character (Bubba). I recall watching his dad lighting the fireplace (it was a chilly October already) as Ken and I got ready for the movie.
I create a new character. Choices are arranged by height: Fighter, Wizard, Cleric, Rogue and Custom. Curious, I click on “Custom.” Although I can create my own character and stats, I opt to go with an Eladrin Wizard.
The Introduction begins with an overview of the Druid class – a divine spellcaster drawing on the limitless power of the natural world, and with Wisdom as his primary ability. Special abilities include Wildshape, the ability to change form; whilst druids need to concentrate on the things they are good at with their spells – controlling the natural environment, participating in combat and acting in concert with their animal companion. This page is illustrated with a delightful sketch of a Welsh Archdruid from the 18th century, a time when romantics tried to recreate ancient practices, something that led to the establishment of the Gorsedd and the Eisteddfod, something completely different from Druidism as practiced within a fantasy game!
The Flash Fire Mini-Reviews series continues this week with some new comic reviews from Decapitated Dan! Dan takes a look at a selection of horror titles from Antarctic Press.
“It’s Tom & Jerry meets 28 Days Later as the Littlest Zombie and the Littlest Vampire fight tooth and nail, hand-to-detachable-hand for scant sustenance! Their quarry, the Littlest Survivor, must pull out every trick in the Apocalypse Survivor’s Handbook to keep his two supernatural stalkers at each other’s throats and off his!”
There aren’t many tales where the undead are the good guys; say what you want about Twilight or True Blood, but those aren’t in the same league as an undead schoolteacher seeking vengeance for the dead family of his pupil.
Thus we have The Grave Doug Freshley, about a tutor – Doug Freshley – in the Wild West who witnesses the death of his friend and his friend’s wife, and manages to save their son – his student – from the family farmhouse as it goes up in flames. The crime has been perpetrated by the Delancey family – a band of thugs, each one worse than the last.
The Delanceys are trying to expand their stake the easy way – by stealing from the locals and killing them so there’s no one to dispute the claim.
One of the cool things about “new” media is a company’s ability to bridge the gap between paper and pencils with technology. Neverwinter Nights on Facebook is a social game you can play.
The first thing you do is roll stats. There’s no character class, but this min/maxer (That’s right.. Me…) rolled a few times until I got… Well… Some decent stats. The game didn’t work on Chrome so off to Firefox I go… That’s where I found out that punctuation doesn’t work in the character name field. I have an elf name I often use (Lazy, I know, I know…) but the apostrophe didn’t take.
“That house is not fit to live in. No one’s been able to live in it. It doesn’t want people.”
As Flames Rising is looking for ghost related posts for this year’s Halloween season, I found this to be an opportune time to dive into some ghost flicks. And while I’m the kind of mook who’s all about “saving the best for last”, I’m going completely opposite with this one. “The Changeling” was chosen as my first ghost story flick to review, and honestly, it’s the movie that I hold all ghost movies in terms of masterpiece quality.
The story centers around John, whose wife and daughter die in a tragic accident before his very eyes.
I’m a huge fan of The Wizard of Oz. I’m old enough to remember CBS playing it annually; therefore, I watched it annually. I’m eager to see new tales set in Oz (though I’m generally let down), so the chance to review this book promised a fresh look. The blurb on the back of this book promises an insane Alice (in Wonderland) and Dorothy (Wizard of Oz) being tracked by something fantastically evil while they search for a tornado . . . they can use to escape Earth. It was exactly the kind of American Gods read I was looking for, so the question becomes this: Did the book live up to my own hype for it?
I found that Schnarr’s writing is a relatively fresh style. He doesn’t often show his writing roots in his own words. Schnarr’s story contains an excellent mix of the surreal.
Back in 2009, when I was still able to keep up with the League of Reluctant Adults on a regular basis, I eagerly awaited the release of Tempest Rising, Nicole Peeler’s first novel.* Like other members of the League, Peeler is totally snarky, really smart, sexy verging on smutty, and a ton of fun to read in her online posts. So it was no great surprise when I loved Tempest Rising. The fourth book in the series, Eye of the Tempest, just came out last month, and I sifted through my TBR pile and caught up on books two through four this week. They’re fast reads, with qualities that verge on paranormal romance but plot and worldbuilding that, in my qualifications, keep them firmly in urban fantasy. Here’s the breakdown on each book, but the overarching verdict is: give them a chance! They’re funny, fast paced, and completely engaging.
Warhammer 40,000: SpaceMarine is a game that debuted for the PS3 (and other platforms). While I’m familiar with Games Workshop, I am new to to the Warhammer universe. I feel that’s important to keep in mind when you’re reading my review.
Part of the reason why I’ve never played Warhammer or read the fiction was because my impression was that I wasn’t really the target market for this setting. It has always felt very male-dominated and macho to me. Even though I felt that way, I always gave the property a healthy amount of respect. I consider the Warhammer SpaceMarine to be the original. Period.
This ambitious Savage Worlds setting mixes Norse and Pre-Columbian Native American lore into a sword and sorcery setting I find damn interesting. First, the artwork and layout of the book is an outstanding mix of watermarked images, detailed artwork, and fresh creativity. I’d love to see this book in color, which is really my only complaint about the book. Consider me spoiled.
A man’s purchase of a used computer leads to an unfortunate discovery. Soon, he’s on a mission to save his fiancee from the clutches of a madman and an insidious cult. But in the small town where she’s held captive, he discovers that nothing is exactly as it seems. Once he crosses paths with a father and son monster-hunting team, his world unravels. Death and dark magicks lurk around every corner.
The Flash Fire Mini-Reviews series continues this week with some new comic reviews from Decapitated Dan! Dan takes a look at a selection of horror titles from 
