In Lee Murray’s most recent novel, Into The Mist, we follow the exploits of Sergeant Taine McKenna’s squad of professional soldiers, responsible for the safety of the group of geologists and biologists sent out to follow up on tantalizing news of the discovery of a large gold nugget. The squad is assigned to baby-sit this group of civilian scientists as they wander into the bush in search of the site where the gold was discovered. To make matters more complicated, shadowy corporate entities are interfering with the expedition, hoping to get the jump on their competitors and claim the mineral rights for their own firm. Tuhoe separatist rebels make an appearance as well, and they show up at a most inopportune time as the scientists and soldiers are struggling for their very lives against not only the elements and the rough terrain of Te Urewera National Park, but also against something more sinister — and hungry: a creature that seems hell-bent on picking them off one by one, and that shows a level of unnatural patience and cunning in hunting them down.

Many of the works of Edgar Allen Poe, while considered classics of literature today, don’t often match up with modern literary sensibilities. It was somewhat surprising for me then, to come across Red Stylo Media’s The Twisted Poe Anthology, an excellent collection of seven original tales inspired by the works of Poe. Published in 2011, this collection does not consist of adaptations — retellings of Poe stories — but rather, a brand new batch of original tales in the same spirit as Poe’s work. All of the individual stories are available as digital downloads for 99 cents each; I have added links to the descriptions of those stories for convenience’s sake.

The first story, “Absolution”, is written by Jason Ciaramella and illustrated by Enrique “Zeke” Savory, Jr. Absolution is a tragic tale of loss and guilt inspired by Poe’s poem “The Raven.”

I’ve always enjoyed reading “how to” guides on a variety of topics. Even if I’ve read a similar subject before I’ll read them to see the different thoughts, beliefs and takes that particular writer has to say about the subject. Such was the case with Writing Monsters: How to Craft Believably Terrifying Creatures to Enhance Your Horror, Fantasy, and Science Fiction. I’ve read a few guides on writing monsters, but it’s been awhile so this was a good refresher while learning Mr. Athans take on monsters and writing about them.
Being a fan of H.P. Lovecraft’s works myself, this book was off to a good start as the forward was written by the H.P. Lovecraft Historical Society. “While Mr. Athans draws from an extremely impressive array of monstrous sources, we are, of course, particularly delighted to see the works of H.P. Lovecraft cited so frequently and so appropriately in this discussion. Lovecraft was indeed, as Athans states, a master of the monster.”

Encyclopedia of Demons in World Religions and Cultures by Theresa Bane
There have been an awful lot of demons mentioned in the bible, the Koran, the Torah, in classical literature, and elsewhere. You practically need a scorecard to keep track of all of them. McFarland & Company Publishers has produced a massive volume cataloging the numerous evil entities from the void, The Encyclopedia of Demons in World Religions and Cultures.

Collected by Theresa Bane, this work includes a vast array of not only demons, but includes references to and entries for angelic entities, as well as a few with less clearly defined loyalties. These entities were written about in the religious texts of such diverse faiths as Zoroastrianism, Buddhism, Ashurism, and from such ancient cultures as Sumeria, China, Scythians, Mayans, and many African cultures.

The Hungry Dead
Selected & Edited by Lester Smith
146 pages
Popcorn Press

In a tribute to the speed at which the publishing industry is changing these days, The Hungry Dead is the first collection – that I’m aware of, at least – that purports to have been solicited, edited, collected and at the printer within one month. The fact that the solicitation process took place at least partly online may account for some of that speed.

The Hungry Dead is a collection of poetry and short stories that mostly hovers around the title’s stated theme. The excellent and evocative cover image shows a slightly decayed – yet no less well turned-out – young woman, a plate of brains in front of her, gold-plated knife and fork in hand.

On the subway, during lunch, or even under the fluorescent glow of your cubical there is no escape! Now your slow descent into madness can follow you through the day, as well as the night.

The WHISPERS FROM THE ABYSS ANTHOLOGY is the first ever H.P. Lovecraft inspired collection created specifically for readers on the go.

Every so often I get something to review that I have no idea what I’m getting myself into. Getting a copy of Eternal Lies campaign book for the Trail of Cthuhlu RPG (from Pelgrane Press) to review was one of those times. I’ve played Trail of Cthulhu once or twice at gaming cons, I’m familiar with several Cthulhu based games, and I love adventure/campaign sourcebooks in general so I thought this would be a quick and easy review. However, I was simply shocked when I opened up the PDF file for the first time to discover that Eternal Lies has a four hundred page count!

How could this be? As I understood it, Eternal Lies is a sourcebook for only one complete campaign. I’ve seen campaign books half this size with several adventures in it, but nothing this large before. How can this book be 400 pages? And all 400 pages for one campaign? The audacity! The immensity! The madness! The size, and there for the incredible scope that this adventure must be was suddenly daunting.

From the moment I opened up the PDF on my laptop I knew Gygax, a quarterly adventure roleplaying aid, was going to tap into everything that has made gaming great since the beginning. The cover was “classic” in every way and it reminded me of the many old Dragon magazines I have flipped through over the years. I immediately felt comfortable like I was meeting up with an old friend, one I had not seen in quite some time and someone I was very fond of. The cover art titled “Still Unlucky” by Daniel Horne depicts two poor adventurers being snuck up on by a nasty looking ettin and it made me laugh.

Hey there fans of Flames Rising! I gotta tell you, I was pretty excited about diving into issue #3 of the Dept. of Monsterology. So far the issue has been well written, possesses some good, witty dialogue, and the artwork has been spot on in setting the feel and tone of this pulp-supernatural series. Issues 1 & 2 were interesting rides while building up to some serious trouble for both Team Challenger and Team Carnacki. Things were already going downhill for Carnacki by the end of issue #2, and trouble loomed on the horizon for Team Challenger. So how does issue #3 fare?

Monsterhearts should come with two warning stickers. The first is “Warning: This is a game for mature gamers and deals with adult themes.” It doesn’t have this because that sort of warning fits the Book of Erotic Fantasy rather than a genuinely mature take on the subject matter. It has lead to some of the most intense and immersive experiences I’ve ever had roleplaying, but I refuse to play it with my main tabletop roleplaying group.

The second is “Warning: This game can go into uncomfortable territory. Discuss expectations and respect boundaries.” It doesn’t have this, and Monsterhearts is the only game I’ve played that’s imploded when it has become clear that one player doesn’t know the meaning of the word “consent”. Better there than in real life.

So what is Monsterhearts? Monsterhearts is based on the Apocalypse World rules and claims to be about “The messy lives of teenage monsters”.

Review by Steven Dawes As a reviewer, I make it a point to not give out any spoilers if I don’t have to. However, after reading issue Department of Monsterology Issue #2 (and #3 once I finish this review), a few spoilers tidbits will have to start coming out. If you don’t want to risk […]

“Officially, it’s the Department of Cryptozoology, Mythological Studies, Parapsychology and Fortean Phenomena. But to the rest of the students and staff at the Dunsany College, baffled by the cloak of secrecy that surrounds the Department and its affairs, it has another, more dismissive, name: The Department of Monsterology. Their brief: to investigate the dark and unexplored corners of our world – the places we’ve forgotten, lost or believe to be mythical. And to study those things that may still be lurking there.”

Looking at the cover of “Dept. of Monsterology” from Renegade Arts Entertainment, I knew right off the bat that it had potential. The color palette is minimal and bleak, with plenty of blackness and shadows mixed in to compliment the mysterious tone of the comic.

What is the fascination with Nazis and their pursuit of occult knowledge? The popularity of Raiders of the Lost Ark offers some evidence that we as a culture find the concepts intriguing to say the least. Perhaps, deep down, even the most cynical skeptic wants to believe that supernatural magic is real.

I first got hooked into the World of Darkness about three years ago; I became intrigued by the Vampire: The Requiem setting thanks to a particularly good game I was in at the time, and my passion for the world hasn’t diminished since then. In support of Free RPG Day (June 15 this year) Onyx Path released a sharp-looking product called Reap the Whirlwind, a complete quick-start introducing new players to the vampire branch of the World of Darkness.

When the New 52 launched I, Vampire was one of those titles I was recommending to everyone. Written by Joshua Hale Fialkov (Echoes) and penciled by Andrea Sorrentino (X-Files/30 Days of Night crossover) there was so much packed into the first issue I just knew this comic was going to be a big hit. And it was a big hit until issue #2 hit the shelves and nothing really happened. Then nothing really happened in issue #3, 4 or 5. Then something really bad happened in issue #6 but it was okay because I didn’t really care about the characters. I, Vampire Vol. 1: Tainted Love collects the first six issues of this disappointing series.

DC Comics’ New 52 has had about a year and a half to find its footing and one of the nicer aspects of the “reboot” is DC’s revived focus on supporting the supernatural side of the DC universe. Along those lines the famed Justice League has been divvied up into numerous teams (and titles) with each focusing on different aspects of the JL’s mythos. While Superman, Batman, Wonder Woman and their closest friends handle the big threats the Justice League International team stumbles about handling other… less important… threats. So who handles the ghosts and goblins of the DC universe? That would be Justice League Dark.

I’ve been hearing about Hansel & Gretel (H&G) for well over a year now. It was supposed to have hit the theatre a few times over the last year before it if finally escaped this weekend. If I had to guess, the studio was probably waiting for an opportunity to dump it in hopes of making a quick buck and then forgotten about, and after the “Avengers” made it so big and everyone recognizes Jeremy “Hawkeye” Renner these days, now was the time to start this witch hunt. It was probably the right move; my niece was dying to go see this with me, simply because Hawkeye was in it. So with a couple of teens and my wife forming a hunting party, we all went to see G&H. And how did the hunt go?

There was a point in my life, oh lets say about a year ago, when I was sick of vampire comics. The typical blood sucker story seems to just get played out when done over and over again. Sure there is some good horror and gore in those books, but the stories are so blah and easily passable. Then I get this little catalog sent to my house called Previews, and I see the cover to The Strain #1 listed in it. I’m instantly thinking, “Great, here we go again.”

Being a horror nut though, I check out issue #1, and wouldn’t you know it, my head fell off. That first issue had something new, something fresh and something I needed to enjoy a vampire comic again (seriously, the last one I really enjoyed was Devil from Dark Horse).

James Herbert is a horror writer who hails from the U.K. He’s been compared to Steven King and, for the first time, his work is available stateside. The novel I read, ASH, is a reprint through Tor Books.

Herbert is a multi-novelist with almost two dozen books out in the wild. (Sadly, the author does not have an official website, or I’d link to it for you so you could see his bibliography of published works.) This is the first time I’ve read Herbert’s work; this type of story is more my fare than a continual stream of blood, guts, and gore. ASH begins with a mystery and a haunted castle. The main character, David Ash, is a ghost hunter and parapsychologist who works for the Psychical Research Institute. His abilities give him an edge and we, the reader, find out more about them as the story progresses.

Packed into but four pages (the other four being filled with a fancy cover, the credits and an introduction explaining what it’s all about, and a page of adverts for other Legendary Games product) here is a wealth of material designed to support and enhance one of Paizo’s Adventure Paths. As explained in the introduction, they have chosen not to mention just which Adventure Path (so as to avoid even suspicion of using Paizo’s intellectual property) but as I am GMing the one in question at the moment, it’s not too hard to guess. (‘Carrion Crown’ if you really want to know!)