I will start of by letting you all know that this book could be looked at two different ways, and because of that I did lower the score a little bit and it still gets a 4 out of 5. The first way to look at this series is in the first half you get 2 stories that do more to explain the world in which this takes place, but then in the second half it is strictly based on the main character. While the stories that show off the world are fantastic, I didn’t see how they really helped in the overall storytelling. Now that I got that out-of-the-way, I LOVED this book. The artwork was solid throughout, and I liked how Abeleda didn’t seem to shy away from the more adult subject matter.

The Introduction launches straight in to a discussion of the role of magic items in Arcanis. In a word, they’re unusual! Even magic armour and weapons are rare. They are hard to make, involving meticulous preparation, precise crafting and arduous rituals. Few but the dwarves even bother. They should appear only as significant elements in your plots, the object of a quest, perhaps, or reward for some major exploit. So it is worthwhile to make some effort over the ones you include, for they will become notable artefacts, the sort legends build up around and about which songs are sung!

General rules are also dealt with here, mostly concerning how many magical items a character can use at any one time, and explaining the way in which the descriptions of the ones that form the majority of the book are laid out.

“Based on the Troma film! Chillers, the classic film from Troma Studios that captured the Silver Scroll Award, returns with all new tales in an original graphic novel. Writer and director Daniel Boyd is joined by some of the best in horror to present more terror and chills. Troma Films is supporting the release of the graphic novel with a re-release of the film on DVD and the Buddy Black Band is releasing a tribute album, Witchfinder, to also coordinate with the graphic novel. Evil travels in many forms, even by bus. But this bus takes its riders to a journey that they can never return from!”

I have had a long, sordid relationship with the Final Fantasy franchise. While I haven’t played every game, I have played most of them. When you play Final Fantasy, there are certain elements that you come to expect: cactaurs, chocobos, moogles, summoning, and BIG GIANT SWORDS. Final Fantasy XII began to stray from the iconic characters found in the property with its attention to new mechanics and a more realistic art style heavily inspired by the steampunk genre.

Final Fantasy XIII further deviated from the heart of the franchise. Though it did offer eidolons (one per character) this far-flung futuristic story jarred a lot of fans who hadn’t seen Square Enix dive that heavily into science fiction since the days of Cloud and Sephiroth in Final Fantasy VII.

“This is the first issue in the five-issue story arc, “ODYSSEY”. The mission for Z-Girl and the 4 Tigers was straightforward: battle gun-toting apes at the temple of Angkor Wat in Cambodia, prevent the emergence of the wrathful god, Shiva, and save a pregnant hostage. But the ancient scroll they find means this is just the beginning of something greater, a journey of discovery of who Z-Girl is and what part she is to play in the prophesied zombie apocalypse.”

No fantasy world is complete without monsters to pit your wits – and sword-arms – against, and despite the rich heritage already in place for the Arcanis campaign world, a completely new ruleset requires new monsters to be written to accommodate it.

The nice thing is, this book is as much a ‘how-to’ build your own monsters (or adapt existing ones from other games) as it is a selection of beasties with which to threaten your players. Whilst this is in part necessity: it’s plain not possible to provide the wealth of monsters that most gamers have become accustomed to, it also provides for the creativity of the average gamer to be supported… and enables individual gamers to ‘convert’ their favourite beasties which cannot be presented under this ruleset for copyright reasons!

Kelly McCullough, author of the WebMage series, dives into the fantasy noir genre with the debut of Broken Blade. Dubbed the Fallen Blade series, this first book introduces Aral Kingslayer, a former assassin for the now-dead Goddess of Justice named Namara.

I feel McCullough’s strength has always been building worlds that the characters are immersed in. Broken Blade explores a different side of dark fantasy than the typical European/medieval fare. The world is a blend of East meets West where remnants of martial arts and Asian mythology merge with European politics and the rights granted by proper lineage.

Written as a fantasy noir, there are plenty of mysteries to explore in this book. Kingslayer is the anti-hero; he’s the drunk who sits in the corner of a bar who’s depressed and feeling sorry for himself — for good reason. His ever-present familiar, Triss, lives in his shadow as Aral simply tries to get through the day.

So you have this gorilla who wants to rule the world with his army of sentient ape-men, right? Plus, there’s a portal open to another time, and dinosaurs are coming through it – nobody’s sure who’s controlling them, but they aren’t acting purely on instinct. Then there’s the fact that many of the members of the Century Club – a group of two-fisted do-gooders who fight for truth and justice – with Chapter Houses all over the world – have disappeared, and you have the makings of a fantastic romp through pulp action in the classic tradition.

Like many people, I’ve enjoyed adventuring in the world of Arcanis as presented for the Dungeons and Dragons 3e ruleset for a good ten years now. It’s good to see innovative alternate realities survive the game mechanics that they were originally written for, but whilst many survive version changes it is less common for an entirely new game to be created just so that alternate reality will continue to thrive. This mighty tome has set out to provide a comprehensive system rooted in the Arcanis we already know and love, whilst introducing that world clearly to those who have not ventured there before.

The work is made up of four sections, and begins with the Codex of Arcanis, thus getting you all excited (for the first time or anew) to go visit, with subsequent sections explaining the mechanics of doing so. A sweeping overview of history catches you up, event piling upon event to lay the groundwork for the current situation, underpinning the traditions and customs prevalent today.

Before he secured his place in the annals of international pop culture with the Tarzan stories, Edgar Rice Burroughs offered up the initial adventure in the far more interesting and inventive Barsoom series. “Under the Moons of Mars,” later to be retitled A Princess of Mars for book publication, first saw print in the Munsey pulp The All-Story, from February through July of 1912. The six-part serial chronicles the adventures of Confederate veteran Captain John Carter, who stumbles across a cave in Arizona through which he is transported via psychic projection to Mars, or as the locals call it, Barsoom.

Once deposited on Barsoom, Carter treks across the dying planet and encounters an imaginative assortment of races and creatures, from the four-armed warrior Tharks to the super-speedy dog-lizard things called calots (one of which, naturally, becomes the hero’s faithful companion), to the humanlike red Martians.

The Halloween Tree is the audiobook version of the 1972 publication by Ray Bradbury. The story is a fantastical look at the history of Halloween. Spanning several cultures, the characters experience the customs of people from Ancient Egypt, Rome, Mexico, the British Isles and others.

The story is impeccable and Bradbury does what he does best: social commentary through the guise of a story. Here, he teaches us about our own customs by forcing us to peer into the past without beating us over the head or giving boring explanations. I’m not the only one who thinks The Halloween Tree is spectacular. In fact, the story is so popular the animated version of The Halloween Tree was featured on Cartoon Network and it’s also been incorporated in Disneyland‘s Halloween decorations.

I like to think of “The Wicker Man” as the greatest Hammer film never actually produced by the venerable studio. Despite the fact that it was in decline, Hammer was still the foremost name in English horror cinema at the time of the film’s release. While it was originally distributed by British Lion Film Corporation, “The Wicker Man” shares Hammer’s penchant for beautiful landscapes, lush production values, and its franchise star, Christopher Lee, who portrayed Dracula, Frankenstein’s monster, and the Mummy in numerous films for the studio.

This mighty tome, over 500 pages long, contains everything that you need to start adventuring in the world conjoured up by author Brandon Sanderson… who has not only allowed the use of his setting, he’s written fiction especially for the game, has added comments throughout, and was even involved in the playtesting!

First up, the treat of an original short story set in the Mistborn world called The Elventh Metal. It tells of a small group of malcontents, seeking revenge, seeking change, and introduces a world rich and strange – metals that burn within and confer power, swirling mists, ash that falls from the sky, twisted exotic buildings. And so the strangeness, the richness of this setting is revealed: allomancy. Familiar if you know the novels on which this game is based yet brought magnificently into prominence whether or not you have read them – by utilising mystic powers different metals can be used to bring about a range of spell-like effects. Learn the tricks of their use, or perish miserably!

“The Blair Witch Project” is one of the most controversial horror movies of recent memory. This is not due to explicit content. The movie was never banned or placed on a parents’ watch list. It is controversial due to its lack of explicit content. There are no CGI monsters or buckets of gore, bucking the trend of most contemporary horror. It derives its scares from its setting, atmosphere, and great performances from the three leads.

“Blair Witch” tells the story of Heather (Heather Donahue), Mike (Michael Williams), and Josh (Joshua Leonard), three student filmmakers who are producing a documentary about the legendary Blair Witch, who is said to reside in the woods outside Burkittsville, Maryland.

The Dark Tower CD from Nox Arcana was developed solely by Joseph Vargo as a themed complement to The Dark Tower anthology series. The music composed for this particular collection seems to be more understated than their other offerings. There are two types of experiences I’ve had with Nox Arcana’s music. The first is evident through Blackthorn Asylum, The Necronomicon, Phantom of the High Seas, and the Theatre of Illusion.

After you hear the opening refrain, there’s typically a story threaded throughout the music so it’s often a bad idea to play the CD at random if you want the full experience. I found this was especially true for Grimm Tales, which is one of my favorite Nox Arcana CDs.

Whether you are looking for inspiration, want a few well-detailed NPCs to act as associates or rivals, or need a character (or whole party) in a hurry, this product will fill your purposes admirably.

Herein are eight fully-developed characters, set up as an integrated crew. Each one gets a couple of pages – one a filled-out character sheets with all the necessary game stats, and the other a write-up of the character’s background, including a brief history, notes on personality and motivations and even what he thinks about the other members of the group. There is also a sketch of the character to enable you to visualise him.

A fairly shady group they are, too. The leader is one Beck, a fixer – the sort of fellow who can get you whatever you want, no questions asked, provided you are willing to pay his price.

This remarkable journey through the Hammer vault includes props, annotated script pages, unused poster artwork, production designs, rare promotional material and private correspondence. Hundreds of rare and previously unseen stills help to create a rich souvenir of Hammer’s legacy, from the X certificate classics of the 1950s to the studio’s latest productions.

Written and compiled by the official Hammer Films historian Marcus Hearn, and featuring exclusive contributions from the actors and filmmakers associated with the company, this is the most lavish book ever published on the legendary House of Horror.

Ilona Andrews is probably best known for her Kate Daniels series, but she is also (along with husband and co-author Gordon) the author of a paranormal romance series about life on “the Edge,” a borderland between a world full of magic (the Weird) and our mundane reality (the Broken). (It should be noted that while I’m classifying the books as paranormal romance, due to the structure of each novel — the books each feature the love story of a couple who end up in a happily ever after at the conclusion — other reviewers have considered them “rustic fantasy” or “unclassifiable.” Thus, your mileage may vary.)

From US rock band The Dandy Warhols’ frontman Courtney Taylor-Taylor comes an original graphic novel illustrated by indie super star Jim Rugg. A work of historical fiction set in Germany in 1977, it follows four young men who were to become the voice of their generation. This is the epic journey of art noise band One Model Nation, the final dark days of the Baader-Meinhof Gang, and the band’s mysterious disappearance only months later. Features a host of bonus extras: sketches, director’s commentary, deleted scenes and more.

A teenage girl, Tory Brennan (related to the famous –or infamous—Temperance Brennan of BONES) becomes curious about a mysterious disappearance that happened well before her time. With several of her friends (Sheldon, Ben and Hi) they all begin to search for clues. To complicate matters, the kids hang out on an island that is home to numerous scientific experiments. Before long, they stumble upon more than they expect. Due to a series of events related and unrelated to their investigations, they become infected with an experimental virus that transforms them into werewolves – of a sort. Now, instead of being just friends they are a pack, bound to each other through good and bad. There’s a good mix of the scientific and the supernatural in this novel.