Friday the 13th opens with a flashback to Crystal Lake in 1980 as Alice beheads Pamela Voorhees with a machete. Then we’re introduced to a cadre of modern day horn dogs as they trek through the deep woods somewhere near the now abandoned Camp Crystal Lake. The coordinates of their marijuana crop have been programmed into their GPS unit, but they can’t seem to find anything. Sensing they’re close they decide to make camp and resume searching come morning. Hot casual sex ensues as well as some pot smoking followed by a cavalcade of brutal butchering courtesy of Jason Voorhees. And that’s just the prologue, ladies and gentlemen.

Review by Jason Thorson

Hurts so Good: A Friday the 13th Retrospective Part 1 wrapped up with Friday the 13th Part VI: Jason Lives. Be sure to check out Retrospective Part 1 before continuing here.

There are so many Friday the 13th movies, even this retrospective gets a sequel. So let’s continue with our bloody stalk down memory lane as we try to answer the question: Despite these movies being so bad, why do I and millions of others love them?

Jason Thorson

DAVID MOODY self published Hater online in 2006, and without an agent, succeeded in selling film rights to Guillermo del Toro (director, Hellboy 1 & 2, Pan’s Labyrinth and the upcoming Hobbit series) and Mark Johnson (producer, The Chronicles of Narnia). With the official publication of Hater, David is poised to make a significant mark as a writer of “farther out” fiction of all varieties.

In the tradition of H. G. Wells and Richard Matheson, Hater is one man’s story of his place in a world gone mad— a world infected with fear, violence, and HATE. www.RUaHater.com

On February 13th, 2009 a new installment of horror cinema’s most prolific series opens, unlocking Camp Crystal Lake and unleashing Jason Voorhees on yet another generation of horror fans. By way of Michael Bay and Platinum Dunes, Marcus Nispel’s (Texas Chainsaw Massacre remake 2003) Friday the 13th re-imagining/remake will mark the twelfth time in the last 29 years that we’ve been given the opportunity to spend an hour and a half at Camp blood.

The Friday the 13th films are guilty pleasures one and all. They’ve contributed as much to the global pop cultural make up as any other film or film series made. The iconography in these movies is among the most recognizable, comparable to The Wizard of Oz and Star Wars. The hockey mask-wearing, machete-wielding maniac is now considered cliché. Harry Manfredini’s musical score has been imitated arguably more than any other. And we all know what happens to those morally bankrupt youngsters who have sex, do drugs, and decide the investigate strange noises – rules that have become permanent fixtures in the horror genre.

Jason Thorson

Last house on the Left is director’s Wes Craven’s (Nightmare on Elm Street, Scream) first movie. It’s a low budget exploitation movie about two teenagers that head to the big city to attend a BloodLust concert. On the way they get kidnapped by a gang of escaped convicts that torture and rape them.Then the movie takes a turn into revenge tale territory where bad guys get their comeuppance. I thought the movie was OK, certainly not the masterpiece I expected to see, judging from the hype surrounding it. The plot is pretty standard fare, the characters rarely have any kind of motive or reasoning behind their actions and there are plot holes in most of the film.

Review by George Cotronis

“Crimson Orgy – Best New Thriller of ’08?” read the headline on Amazon.com’s forums. User C. Avery said, “For my money, this is the best new thriller of 2008 (so far, anyway),” and I, after reading Austin Williams’s debut novel, Crimson Orgy, immediately thought, “publisher plant?”

Dubbed as a thriller, and quite often described as a horror novel, Crimson Orgy follows the filming of a fictional exploitation film of the same name during the 1960s. The intro to the book sets the story up as potentially true (although we know it’s a work of fiction), explaining that the final print never saw the light of day.

Review by William F. Aicher

This second edition of Blood! updates an original game from 1990, although quite why the author wishes to do this rather than create a completely new game which just rips off (adapts) some of the original concepts is not clear. As author Desborough points out, this makes the game a little unusual in the current environment in that games now tend to be rules-light and high-concept, while Blood! is a comparatively rules-heavy game. There are, for example, something like 400 weapons which can be used, including a fishing rod and a knitting needle. There are also extensive critical hit tables describing what might happen to the human body when it is variously bitten, stabbed, crashed into by a moving vehicle, shot, electrocuted and so forth. These are generally quite graphic in nature and this underlines the principal approach to the game, which is that of the gorefest.

Review by John Walsh

In normal Dread play, this is where henchmen and cultists would begin to interfere: the mook-battering is designed to wear down the PC’s Fury so that the final conflict is tough (and usually deadly, to one or more PCs). But being a one-shot con game, Raphael paced the scenario faster and got us on the trail of the first, possessor demon fairly quickly. A few chats with a scatter-brained crackhead, a store clerk, and other contacts, and we realize we’re on the tail of the mayor, possessed by a demon that loves to destroy the lives of its victim before finally destroying the possessed itself and moving on to new hunting grounds.

Review by David Artman

Dread: The First Book of Pandemonium has a new cover illustration, courtesy of Tariq Raheem (concept artist on TV shows like Farscape and video games like Heavenly Sword). This new artwork depicts a pair of Disciples about to come under attack from a group of demons led by a Pelogris.