From US rock band The Dandy Warhols’ frontman Courtney Taylor-Taylor comes an original graphic novel illustrated by indie super star Jim Rugg. A work of historical fiction set in Germany in 1977, it follows four young men who were to become the voice of their generation. This is the epic journey of art noise band One Model Nation, the final dark days of the Baader-Meinhof Gang, and the band’s mysterious disappearance only months later. Features a host of bonus extras: sketches, director’s commentary, deleted scenes and more.

Carl Kolchak, hard-bitten reporter of the supernatural from the TV series of the 1970s returns to action courtesy of an ongoing series of comic books and graphic novels from Moonstone Books. This time, Carl’s been fired by the owner of the newspaper that used to employ him, and he must find another way to make ends meet. He’s approached by a young couple, Otto and Mo Brerhahrer, who are ghost hunters in their spare time, and Kolchak can hardly say no, particularly when they offer to buy him lunch.

Through three related vignettes, the reader learns more about Kolchak, and why he has such a close connection to the supernatural. The first, titled “Fifteen Minutes,” find Kolchak at his wits end regarding where his next meal is coming from.

Mankind’s rise and fall in space begins here! Two thousand years from now, the Earth is nearly dead. A bold group of explorers led by philanthropist Thomm Coney pushes forward to take the first tentative steps out of Earth’s solar system. Their quest: new worlds to colonize, so that humanity may yet have a chance at survival. Facing impossible odds, political agendas, and a fanatical terrorist regime bent on their destruction, Coney and his crew brave the dangers of a potentially volatile star drive in order to preserve a civilization intent not only on killing itself, but also on taking down every other living thing around it. Will mankind set aside its greed long enough to see a future amongst the stars? Collects Critical Millennium: The Dark Frontier #1-4 and contains extra material, including data sheets, sketchbook pages, starship information sheets and more.

“The second SKULLKICKERS adventure is a wondrous tornado of action-adventure: a den of thieves, a city of danger, nobility, stupidity, plant monsters, dinner parties and bloodthirsty faerie folk.”

CRASH! ROLL! LAUGH! STAND UP! FALL AGAIN! LAUGH! APPLAUD! That about sums up what I think of this amazing second volume of Skullkickers from Image Comics (if you have read any issue you will get the opening line.) Vol. 2 takes the heroes and places them into even more fantastical trouble. As the story unfolded I was treated to so many laughs and even a scene that made me really uncomfortable to look at. Like past issues of the book, these pages are GORE-Geous. My jaw drops to the floor on practically every page from the line work to the colors there is not a single thing that does not shine. Trust me on this too, there are plenty of horror elements to be found. A huge highlight is the big bad boss reveal towards the end of the story. The layout of that page alone is worth 1,000 Opas. The story is what really gets me though.

“From acclaimed writer and artist team Robert Tinnell and Neil Vokes (THE BLACK FOREST, THE WICKED WEST) comes a sensuous horror epic in the spirit of European horror cinema of the 1960s and ’70s. The death of Carmilla, the seductive vampire, sets in motion events that lead to a monumental struggle between the forces of darkness and a brave band of mortals. Its members include a reluctant young Abraham Van Helsing and a mysterious monster hunter struggling to keep his own inner monster at bay. When Baron Frankenstein is recruited to add his scientific genius to the group’s arsenal, Dracula and his undead kingdom face the possibility of total annihilation.”

“Out in the Arctic Ocean, the research vessel Alesia manages to capture a mysterious Magnapinna squid, an animal never before captured by mankind. The researchers, led by Maria, decide to take the specimen back to port in Bergen, Norway. However, what they bring home isn’t just a scientific wonder but also a thing more horrific than Pandora’s Box. Soon, madness creeps into the crew of the Alesia and friends become monsters.”

IDW has a lot to live up to now that it’s acquired the rights to bring Godzilla over to American comic readers. The Big G has been through the wringer twice before: first, in a widely beloved, if short-lived, stint in the Marvel Universe, and once again, courtesy of Dark Horse Comics, which produced some of the most enjoyable adventures starring the King of the Monsters yet, owing to an incarnation that far exceeded the House of Ideas’ degree of faithfulness to the source. This time, IDW hopes to one up these previous efforts by bringing over, not just Godzilla, but the entirety of the kaiju eiga franchise’s rogues gallery.

Finally, Godzilla will get to tangle with the comic book counterparts of the likes of Mothra, Rodan and King Ghidorah, and IDW’s marketing strategy points towards showcasing as many of them as possible, all at once.

“In Los Angeles in the year 2064, the dead have risen and corpses live again, cohabiting among us…well, somewhat. As a zombie apocalypse engulfs America, we follow a group of friends on a their journey to start a little business of their own…zombie catchers!”

It is not as often as one would think that a comic book has what I consider to be the perfect pairing of artist and writer, however The Zombies that Ate the World is one of those books. I have been a big fan of Guy Davis from his early days on Baker Street. So it is no surprise to me that I really love the look of this book. However the perfection in the pairing comes in when you get to see how well his style fits the storytelling.

“Shadow Hunters is the new supernatural comic book that revolves around the lives of 3 teenage girls. As they seek vengeance on the dark demon that wiped out hundreds of lives, they encounter both a vast array of darkness that dwell around them and a shadow army that combats it. This is a new series from Scattered Comics that is written by Jason Dube and drawn by Benjamin Jordan. It is a comic that is recommended for more mature reader with its heavy themes of death, mature subject matters, and violence.”

“A stunning full-color celebration of the eye-catchingly original artwork creator Roman Dirge, the first anthology of his work available anywhere. This lavish hardback includes an introduction and background commentary information on the imagery by Dirge himself, plus previously unpublished artwork, covers and strips, and paintings. The book also includes fold-out pages, displaying Dirge’s work in its full glory, and some brand-new pieces created just for this book!”

I have never reviewed an art book before, so I guess it is only fitting that I start with an artist whose work I love. Now being an art book please note that this book contains tons of GORE-Geous pictures.

In a modernized spin on the classic story “Pigeons from Hell” by Robert E. Howard, we are following two African-American sisters and their friends into the murky swamplands to check out their inheritance: the old Blassenville manor. They quickly start to sense that something isn’t quite right in that ramshackle of a house, and things soon takes a sinister turn when one of the male characters falls through the rotten stairs and breaks his leg. After a failed attempt of getting out of the swamplands, they are being forced to stay the night in the manor.

The Flash Fire Mini-Reviews series continues this week with some new comic reviews from Decapitated Dan! Dan takes a look at a selection of horror titles from Antarctic Press.

“It’s Tom & Jerry meets 28 Days Later as the Littlest Zombie and the Littlest Vampire fight tooth and nail, hand-to-detachable-hand for scant sustenance! Their quarry, the Littlest Survivor, must pull out every trick in the Apocalypse Survivor’s Handbook to keep his two supernatural stalkers at each other’s throats and off his!”

There aren’t many tales where the undead are the good guys; say what you want about Twilight or True Blood, but those aren’t in the same league as an undead schoolteacher seeking vengeance for the dead family of his pupil.
Thus we have The Grave Doug Freshley, about a tutor – Doug Freshley – in the Wild West who witnesses the death of his friend and his friend’s wife, and manages to save their son – his student – from the family farmhouse as it goes up in flames. The crime has been perpetrated by the Delancey family – a band of thugs, each one worse than the last.

The Delanceys are trying to expand their stake the easy way – by stealing from the locals and killing them so there’s no one to dispute the claim.

“THE LIVING CORPSE rises from the grave in an all-new 6-issue mini-series! It’s hard enough to be The Living Corpse – the flies, the hunger for human brains, and the unending task of holding off the hordes of darkness from creeping into the world of the living… But when a Nosferatu suddenly moves into his graveyard, all hell breaks loose! And what will happen when The Living Corpse’s friend, Lilith, get’s caught in the middle? It’s a battle of the undead and only one will be left standing! (here’s a hint — the name of the book ain’t Nosferatu!)”

Well eyelids I enjoyed having you as a part of my head until I saw the first 2 two page spreads, and then they were blown off! I love the style of Ken and Buz and I think in this issue it shows so well that you won’t know who is doing what. A perfect complement to one another. The colors were awesome as always, but a special treat was how the panels were broken up. At times you get this frames placed on the pages that don’t zoom in on anything, yet the boo-tifully break up the page. Awesome stuff.

“World War II rages as two supernatural entities pursue collide in a conflict hinged on ideologies and the lives of men. The outcome will decide the end of the war itself! Beneath it all, the Nazi pursue a project called “LEGION,” centering on a young Romanian girl with powerful abilities.”

Have ever seen a movie where you wondered what it would look like as a comic book? The way that the art team came together to present I Am Legion did just that. This book looks amazing. The artwork is near perfect on ever single page.

“The highly acclaimed, repeat sellout series from writer KURTIS J. WIEBE and artist RILEY ROSSMO is a riveting tale of loss and horror. In the forgotten town of Green Wake, a string of grisly mutilations leads Morley Mack on the trail of a young woman named Ariel, who is the prime suspect. But when a stranger with startling connections to Ariel arrives under mysterious circumstances, Morley unravels a dark plot with a surprising link to his past.”

Have you read a comic book that visually made you want to spend your whole day examining each and every panel? Studying the line work, trying to figure out how the colors work together so well, looking for anything that could be hidden visually? I said it on each review I did for this series so far and I will not stop now, Riley Rossmo was born to draw this book. If I loved his work on Proof and Cowboy Ninja Viking than it’s official that I am head over heels for what he has done on this book because it is just pure simple perfection.

“How would the world be changed if the mentally ill were allowed to determine reality? The Dead Cell explores the experiments of the recently graduated Monica McCoy, and her employment with the secret “Dream Research Program” at Breckenridge State Hospital. While being briefed on the basics, nothing can prepare her for the horrors she encounters upon reporting for duty. What ensues is a tale of madness, reality, and the supernatural chronicling one woman’s journey as she comes face to face with the horror of The Dead Cell.”

I have been treated to Simmons’ work before, but it was not in a horror title (lookup Wannabe‘s). I think overall that the book worked on a high level. However there were a few panels that personally I thought some angles were a little off. Did it distract me from enjoying the book though? No not at all. I think the way that really odd/psychological stuff was depicted came off great.

“They thought it was over. They were wrong. Back on the hunt for the maniacal figure known as The Raven, private detective Jack Smith must face a nightmare from his past— but not all is as it seems. A new evil comes to town as he and his dumbstruck partner Alice, a young woman with secrets of her own, get tangled in a web of deception without realizing that the most dangerous truths are the ones they keep from each other. Meanwhile, The Raven paints the town red as the clock starts ticking for a final showdown in this debut issue of DROP DEAD DEAD DANGEROUS, a murder mystery manga by Chad Cabrera and Mike Banting set in the weird, weird west. Who will be left standing… and who will be left in pieces?”

Fans of the artwork found in Hellsing and Priest gather around because this book is right up your alley. This book had its moments where I didn’t quite see what was going on in the action scenes, but there might have been only 2 max. This book is drop dead GORE-Geous plain and simple.

“King Zombie heads across the border and finds himself plunged into a bitter dispute between a former drug cartel and the assassin Raga.”

I bow down to you Mark Bloodworth. I have seen artists do styles like this, I have seen artists make it work within their own books, but I have never seen this style work so well. Mark was not afraid to show you anything in this book. From his character designs, to the way he laid out a page, there was nothing I could have wanted more from this book visually. The consistency was perfect, but the over the top work came from the way panels transitioned into each other and, of course, the depiction of the undead. Mark your work on Deadworld, whether old or new, is beyond what I need and I can not ask for more. You have achieved visual perfection on this book.

“A small team of treasure hunters struggles to excavate a dangerous and legendary treasure pit before a massive storm hits Sable Island, the ‘Graveyard of the North Atlantic’.Equipped with all the latest technology, the scientists believe they are prepared against all of nature’s fury, but nothing can prepare them for what they are about to unleash from The Vault.”

This is seriously a solid-looking issue that doesn’t have a lot of horror elements in it until the end. A huge plus on this book was the characters staying perfect from panel to panel. Every page had so much detail that it was like a moving painting telling a visual story.