“In Los Angeles in the year 2064, the dead have risen and corpses live again, cohabiting among us…well, somewhat. As a zombie apocalypse engulfs America, we follow a group of friends on a their journey to start a little business of their own…zombie catchers!”

It is not as often as one would think that a comic book has what I consider to be the perfect pairing of artist and writer, however The Zombies that Ate the World is one of those books. I have been a big fan of Guy Davis from his early days on Baker Street. So it is no surprise to me that I really love the look of this book. However the perfection in the pairing comes in when you get to see how well his style fits the storytelling.

“Shadow Hunters is the new supernatural comic book that revolves around the lives of 3 teenage girls. As they seek vengeance on the dark demon that wiped out hundreds of lives, they encounter both a vast array of darkness that dwell around them and a shadow army that combats it. This is a new series from Scattered Comics that is written by Jason Dube and drawn by Benjamin Jordan. It is a comic that is recommended for more mature reader with its heavy themes of death, mature subject matters, and violence.”

“A stunning full-color celebration of the eye-catchingly original artwork creator Roman Dirge, the first anthology of his work available anywhere. This lavish hardback includes an introduction and background commentary information on the imagery by Dirge himself, plus previously unpublished artwork, covers and strips, and paintings. The book also includes fold-out pages, displaying Dirge’s work in its full glory, and some brand-new pieces created just for this book!”

I have never reviewed an art book before, so I guess it is only fitting that I start with an artist whose work I love. Now being an art book please note that this book contains tons of GORE-Geous pictures.

In a modernized spin on the classic story “Pigeons from Hell” by Robert E. Howard, we are following two African-American sisters and their friends into the murky swamplands to check out their inheritance: the old Blassenville manor. They quickly start to sense that something isn’t quite right in that ramshackle of a house, and things soon takes a sinister turn when one of the male characters falls through the rotten stairs and breaks his leg. After a failed attempt of getting out of the swamplands, they are being forced to stay the night in the manor.

The Flash Fire Mini-Reviews series continues this week with some new comic reviews from Decapitated Dan! Dan takes a look at a selection of horror titles from Antarctic Press.

“It’s Tom & Jerry meets 28 Days Later as the Littlest Zombie and the Littlest Vampire fight tooth and nail, hand-to-detachable-hand for scant sustenance! Their quarry, the Littlest Survivor, must pull out every trick in the Apocalypse Survivor’s Handbook to keep his two supernatural stalkers at each other’s throats and off his!”

There aren’t many tales where the undead are the good guys; say what you want about Twilight or True Blood, but those aren’t in the same league as an undead schoolteacher seeking vengeance for the dead family of his pupil.
Thus we have The Grave Doug Freshley, about a tutor – Doug Freshley – in the Wild West who witnesses the death of his friend and his friend’s wife, and manages to save their son – his student – from the family farmhouse as it goes up in flames. The crime has been perpetrated by the Delancey family – a band of thugs, each one worse than the last.

The Delanceys are trying to expand their stake the easy way – by stealing from the locals and killing them so there’s no one to dispute the claim.

“THE LIVING CORPSE rises from the grave in an all-new 6-issue mini-series! It’s hard enough to be The Living Corpse – the flies, the hunger for human brains, and the unending task of holding off the hordes of darkness from creeping into the world of the living… But when a Nosferatu suddenly moves into his graveyard, all hell breaks loose! And what will happen when The Living Corpse’s friend, Lilith, get’s caught in the middle? It’s a battle of the undead and only one will be left standing! (here’s a hint — the name of the book ain’t Nosferatu!)”

Well eyelids I enjoyed having you as a part of my head until I saw the first 2 two page spreads, and then they were blown off! I love the style of Ken and Buz and I think in this issue it shows so well that you won’t know who is doing what. A perfect complement to one another. The colors were awesome as always, but a special treat was how the panels were broken up. At times you get this frames placed on the pages that don’t zoom in on anything, yet the boo-tifully break up the page. Awesome stuff.

“World War II rages as two supernatural entities pursue collide in a conflict hinged on ideologies and the lives of men. The outcome will decide the end of the war itself! Beneath it all, the Nazi pursue a project called “LEGION,” centering on a young Romanian girl with powerful abilities.”

Have ever seen a movie where you wondered what it would look like as a comic book? The way that the art team came together to present I Am Legion did just that. This book looks amazing. The artwork is near perfect on ever single page.

“The highly acclaimed, repeat sellout series from writer KURTIS J. WIEBE and artist RILEY ROSSMO is a riveting tale of loss and horror. In the forgotten town of Green Wake, a string of grisly mutilations leads Morley Mack on the trail of a young woman named Ariel, who is the prime suspect. But when a stranger with startling connections to Ariel arrives under mysterious circumstances, Morley unravels a dark plot with a surprising link to his past.”

Have you read a comic book that visually made you want to spend your whole day examining each and every panel? Studying the line work, trying to figure out how the colors work together so well, looking for anything that could be hidden visually? I said it on each review I did for this series so far and I will not stop now, Riley Rossmo was born to draw this book. If I loved his work on Proof and Cowboy Ninja Viking than it’s official that I am head over heels for what he has done on this book because it is just pure simple perfection.

“How would the world be changed if the mentally ill were allowed to determine reality? The Dead Cell explores the experiments of the recently graduated Monica McCoy, and her employment with the secret “Dream Research Program” at Breckenridge State Hospital. While being briefed on the basics, nothing can prepare her for the horrors she encounters upon reporting for duty. What ensues is a tale of madness, reality, and the supernatural chronicling one woman’s journey as she comes face to face with the horror of The Dead Cell.”

I have been treated to Simmons’ work before, but it was not in a horror title (lookup Wannabe‘s). I think overall that the book worked on a high level. However there were a few panels that personally I thought some angles were a little off. Did it distract me from enjoying the book though? No not at all. I think the way that really odd/psychological stuff was depicted came off great.

“They thought it was over. They were wrong. Back on the hunt for the maniacal figure known as The Raven, private detective Jack Smith must face a nightmare from his past— but not all is as it seems. A new evil comes to town as he and his dumbstruck partner Alice, a young woman with secrets of her own, get tangled in a web of deception without realizing that the most dangerous truths are the ones they keep from each other. Meanwhile, The Raven paints the town red as the clock starts ticking for a final showdown in this debut issue of DROP DEAD DEAD DANGEROUS, a murder mystery manga by Chad Cabrera and Mike Banting set in the weird, weird west. Who will be left standing… and who will be left in pieces?”

Fans of the artwork found in Hellsing and Priest gather around because this book is right up your alley. This book had its moments where I didn’t quite see what was going on in the action scenes, but there might have been only 2 max. This book is drop dead GORE-Geous plain and simple.

“King Zombie heads across the border and finds himself plunged into a bitter dispute between a former drug cartel and the assassin Raga.”

I bow down to you Mark Bloodworth. I have seen artists do styles like this, I have seen artists make it work within their own books, but I have never seen this style work so well. Mark was not afraid to show you anything in this book. From his character designs, to the way he laid out a page, there was nothing I could have wanted more from this book visually. The consistency was perfect, but the over the top work came from the way panels transitioned into each other and, of course, the depiction of the undead. Mark your work on Deadworld, whether old or new, is beyond what I need and I can not ask for more. You have achieved visual perfection on this book.

“A small team of treasure hunters struggles to excavate a dangerous and legendary treasure pit before a massive storm hits Sable Island, the ‘Graveyard of the North Atlantic’.Equipped with all the latest technology, the scientists believe they are prepared against all of nature’s fury, but nothing can prepare them for what they are about to unleash from The Vault.”

This is seriously a solid-looking issue that doesn’t have a lot of horror elements in it until the end. A huge plus on this book was the characters staying perfect from panel to panel. Every page had so much detail that it was like a moving painting telling a visual story.

The title ‘comic nerd’ has always escaped me. They are cool, they are nifty, and their storylines are quite often entertaining with the added bonus of some truly interesting artwork. Yet something has always kept me from diving into the pool of comics, and I’m not sure what that is since I enjoy reading them. Calebros, was no different. It was a delight from beginning to end and reminded me why Clan Nosferatu always ranked high on my list of favorites.

Calebros is part of a series of comics that were produced several years ago that followed the so the uninitiated reader should be warned that jumping into the story arc with this work will leave one rather confused. One the few flaws I caught was the lack of an introduction. Some background information for the new reader would have been greatly appreciated and it would also have helped spark my own memory in regards to White Wolf’s now dormant story arc.

“Thirteen new tales of terror peer into the lives of those affected by Lucifer’s diabolical scheme to kick-start the Armageddon! Stories feature characters as diverse as a conniving rock star wannabe, an abused teenager, a pair of star-crossed Mafioso lovers and the world’s last ultra-hero, the last of whom must choose between staying with the love of his life while the world goes to Hell (literally) and fighting the Great Cthulhu in a desperate (and most likely futile) attempt to save the world.”

Ugh, yes please! This is one great looking collection. Not a single story seemed to be any less visually appealing than the next. Some of the stories I liked the looks of best were Strays, No One Knows and Momma’s Boy.

The 1974 television series Kolchak: The Night Stalker never got rave reviews from critics. Only twenty episodes of the show exist, plus two TV movie/pilot episodes: The Night Stalker (1972) and The Night Strangler (1973). The special effects, even by the standards of the day, were cheesy and unremarkable, though the stories themselves were interesting and provided a wide variety of paranormal beasties from folklore the world over instead of rehashing zombies or vampires week after week. Unfortunately, the TV movies proved vastly more popular than the TV series they generated.

It should come as no surprise that a graphic novel treatment of Kolchak might spring into being as well, and at that before the reboot of the series. Enter Moonstone Books with their long-running Kolchak series, and lo, Kolchak has been brought back from the dead, like many of the creepy entities he faced as a reporter with a nose for the paranormal.

“Meet Vincent Morrow, a doctor looking for a vaccine… for the apocalypse! In this stand-alone first issue, a family needs Dr. Morrow’s help with their son’s illness: Demonic possession. But when Morrow attempts an experimental cure, he discovers the boy’s disease isn’t all spinning heads and pea soup – it’s like nothing you’ve seen before! Horror gets a brain transplant in WITCH DOCTOR, the book WARREN ELLIS calls Mental.”

I knew I needed to see this book just based on the cover art alone. Now let me tell you a few things I liked about this issues art, the colors popped off of every page. The “exorcism” scene at the beginning of the issue was just drop dead GORE-Geous and the demons were bad ass. My only downside was that I didn’t think the human cast stay as consistent as they could have. However it didn’t take anything away from this issue it was easy on the eyes.

“Stricken with grief from the death of his girlfriend, Sith, Guy Salvatore struggles to make sense of his world. He’s plagued with hallucinations of monsters that torment him with outrageous requests. Enter Satan: a strange, old man who implores Guy to call upon his latent power to break through his world’s plane to rescue Sith, who he claims is floating aimlessly in and out of dimensional planes known as the “Dream Worlds.” But is Satan to be trusted?”

The only thing I knew about this book before diving into it was how GORE-Geous is was going to be. I will admit though that what took it a notch above most is that Chandra took the time to create every element on every page.

For a million millennia the world has cracked and convulsed under the indomitable mob of the orc. Savage, bloodthirsty creatures, they are without number, staining nearly every corner of the globe. The mighty Orc Tzar, newest leader of the mob, marches ever north to find the lost organ of a forgotten god. Only a lone, one-eyed orc with a mysterious gift can find the key to breaking the cycle forever.

This book is so Gore-Geous it’s beyond words. Wait I can’t do that to you can I? The character designs go way beyond cool to a level of pure awesome. Add on top of that the ink and you just made me drop my jaw. The real clincher though is the colors. This book is just vibrant, I honestly got lost in its radiance time and time again. I want to go back to the characters now, mostly because of the amazing amount of detail used.

“Fear & Loathing in Las Vegas” meets Flash Gordon in GENERAL JACK COSMO AND THE VAMPIRE MEN OF KOTHOS. If Hunter S. Thompson had decided to pursue a career in space-heroics, he would be General Jack Cosmo: Unapologetic ass-kicker, savior of the emerald planet Zur, drug-powered freak and certifiable weirdo. In the tradition of Hunter’s gonzo writing and classic pulp sci-fi like the work of Edgar Rice Burroughs, GENERAL JACK COSMO AND THE VAMPIRE MEN OF KOTHOS is a fast-paced sci-fi/horror adventure.”

I’m glad I get to talk about the artwork first, thank you format I came up with, because well it’s purty as hell. You really want to know what this book reminds me of, Voltron. The colors of the characters and environments all I keep coming back to is Voltron.