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Published in 1879, Bram Stoker’s Dracula was one of the reasons why I was drawn to the horror genre. Even though it was published in 1879, I felt it was brilliant the way Stoker wove letters and newspaper clippings together to show the now-infamous characters of Jonathan and Mina Harker, Dr. Steward, Arthur Holmwood, Lucy Westerna and (of course) Dracula.
Needless to say, I am not the only one who has enjoyed the book. Reprinted several times in multiple languages, Dracula has been heralded as a literary classic that’s been discussed, dissected and enjoyed. Its story has been made into comics and graphic novels, movies and animated features; its characters have been reused and reinvented so many times that they’ve become iconic.
All Things Zombie comes from Two Hour Wargames. Wargaming is a very different hobby than role-playing, which I take part in most often. I’ve tried a few games over the years with minis. Some were true wargames like WarZone while others were toned-down versions like Savage Worlds or HeroClix. The deciding factor for these games to win me over was speed of play. I don’t want to check charts constantly when I’m playing a game. A character sheet and perhaps a index card-sized grouping of key rules is more than sufficient. I’ll allow for each player to work with their own screen because some games dictate that.
At the end of the day though, a game system better have something backing it up if it plans on being convoluted. I realize that some people want as much realism as possible in their miniature combat. I’m not writing this review for those people. I’m writing from the other side, the side where realism takes a backseat after a spell. I’ll elaborate more as I continue.
When I went out to see one of this weekend’s newest box office’s offerings “9”, I knew a scarce few details about it. I knew from the trailers it was CG animated, it has robots covered in burlap bags, I knew it had something to do with a post-apocalyptic setting, I knew that the #1 fan of darkness and the macabre himself Tim Burton produced it and I knew it carried a PG-13 rating. With these details I was eager to see it, and to make sure I was covering more bases since I planned to review this flick, I brought along my fourteen year old daughter with me to get her thoughts and insights. I assumed the film might have been more aimed at an audience more her age level than my own. To a point I was right on in my assumption, but in others points I was way off.
Doing some homework after paying 9 a visit, I’ve since learned that it was based off of an 11 minute silent short from new director Shane Acker as his thesis project from his grad school days at UCLA. The short film gave the world a 3-D setting, by that I mean Dark, Desolate & Destroyed.
The Flash Fire Mini-Reviews are back with a set of reviews from Todd Cash. Todd is going to wrap up his the Ready-Made Characters series from White Wolf.
This is the third time I’ve approached character packages like these, so I won’t retread basic thoughts on these character packages (not much at least). If you’d like these details you can find them here and here. Each of these collections, which are fitted for specific settings (Vampire, Werewolf, Mage, etc), run about five dollars (slight differences between titles in price seems mysterious).
Evil Ways is a suspenseful dark fantasy novel by Justin Gustainis. Black magic and occult investigators are mixed together skilfully creating a exciting plot. It’s a very entertaining book… so long as you don’t mind jarring geographic errors and odd attempts at dialect.
The second book in the “Morris and Chastain” investigations, Evil Ways (published by Solaris Books) presents its protagonists with a problem: someone is killing children and stealing their organs, and this means dark magic is afoot, and a lot of it. Quincey Morris is an paranormal detective with skills in a variety of areas, including burglary; Libby Chastain is a white witch with experience in taking out some pretty nasty guys.
I’ve not been privy to the works of Brian Keene before this past week, nor had I ever even heard of him. I’ve got plenty of reasons as to why Brian has flown under my radar, ranging from my recent urban fantasy kick (I’ve been on a mission to complete The Dresden Files and The Mercy Thompson series lately), making an earnest attempt at reading more of the books my friends ask me to read (recently wrapped up The Lovely Bones to discuss with a gal-pal of mine), to boning up on my ghost hunting & ghost story lore to finish up some of my freelance work for Palladium Books. For these reasons and others I’ve not read a horror novel in what feels like way too long.
But the other week I was hanging out with a buddy who had a copy of Urban Gothic chilling atop a box of books he calls his “finished and ready to trade in” box. Curiosity got to me and I glanced it over, catching various notes of praise like “Brian Keene is the next Stephan King”, “Post-apocalyptic… blunt and visceral” and “One of horror’s most impressive new literary talents.”
When I first heard that Permuted Press was going to release a “robot” anthology I was a little skeptical. The folks at Permuted had done well sticking to the zombie/post-apocalyptic genre and I wondered what was up with the branch of into sci-fi. Nothing wrong with with it really, just me wondering what was up.
Anyway, I got the book a little while ago and had only manged to read the first couple of stories before getting really busy with conventions. I finally manged to get back into the collection just this week. Like most anthologies Robots Beyond has a mix of great fiction and not-so-great stories. With this many different authors and concepts in one collection there is bound to be a few tales that stand out among the set as awesome reads and fun adventures. Also, not everyone is going to enjoy the same stories. Different writing styles and characters will appeal to different readers. Stories that I like may not work for someone else, the opposite holds true as well.
Bentley Little (The Academy) brings to life a new story of paranoia, inference and murder in His Father’s Son. Please note that this review does have a few spoilers.
This novel is about Steve Nye, a frustrated writer (literally) whose mediocre life is shaken up when his father is admitted to a psych ward after trying to kill his mother. After getting to know the Nye family, you’ll realize that they are normal-yet-dysfunctional in a way that any family might be; the mother is a devoted Christian while the rest of the family is not and the family doesn’t normally show affection to one another. Desperate for his father’s approval, Steve ends up trying to understand his father’s cryptic phrases and words in the hospital. Although his dad cannot semantically put words together due to his physical state, there are times when his dad is lucid. As a result, Steve places an almost unnatural importance on the phrase “I killed her,” to the point where he feels compelled to not only investigate, but also to “protect” his dad’s “secrets” by killing others himself.
If there is a single grouping of monsters that are a favorite, undead would probably be at or near the top of everyone’s list. From ghosts to zombies and from vampires to mummies, undead are the critters we love to hate. In Open Grave: Secrets of the Undead, Wizards of the Coast offers up a tasty book filled with intriguing information for GMs wishing to get the most out of their players’ encounters with those who refuse to stay dead.
It’s important to note that this volume isn’t a simple monster manual for the Undead. It doesn’t bother to cover the basic types; skeletons, zombies, and even straight-up vampire types are totally ignored, being covered in some depth elsewhere. What it does offer are variations on the standard creature, with strategy tips and useful tricks for effective deployment.
In a world where those with special powers are looked down upon and hunted, a secret team is brought together to protect it from the machinations of fallen angels and their children. From a noble cyborg warrior to a jumpy raver girl with electrical powers, they are brought in by a mysterious stranger and have to save a world that wouldn’t save them.
The graphic novel is a collection of short stories, introducing a reader to the universe of Alpha Gods. It is a world of magic and mutants, with sinister demons lurking in the shadows and with human beings developing strange powers. Called Extra Humans or Ex-Hus for short, the world knows they exist and has a largely negative view of them. The Alpha Gods try to protect the innocent ones while they struggle against a sinister corporation known as Grigori Enterprises that is performing experiments that will aid their demonic masters, the Nephilim.
My experience watching Rob Zombie’s Halloween 2 was similar to how I imagine it must have been when George Foreman discovered he was as adept at selling grills as he was putting people to sleep with his fists. In other words, it was not what I expected. In fact I expected to hate it. I was so disgusted with Zombie’s unfortunate stab at remaking, re-imagining, and regurgitating John Carpenter’s 1978 seminal slasher that for a while I became the elderly curmudgeon of horror movie journalism. I may have even yelled at some kids to stay the hell off my lawn.
However, this time it wasn’t long before I came to the slightly confusing realization that I wasn’t hating this dreaded sequel, an emotion I felt specifically entitled to given the majority of films I’ve suffered through lately, but rather I was riveted by Rob Zombie’s brutal, gritty, and most importantly, original chapter in one of horror’s most important and longest running series.
The Flash Fire Mini-Reviews series has crawled out of its grave and returned as a regular feature on the Flames Rising website.
To celebrate we’re going to be taking a look at several kinds of undead this week. We’ve got a mix of games, books and more. This particular edition of Flash Fire Mini-Reviews is going to feature a few different reviewers.
We’re going to take a look at Zombie Haiku, Vampire: the Eternal Struggle, Pride and Prejudice and Zombies, Geist: The Sin-Eaters and The Estuary.
Twilight Creations earns the distinction of being the first board game I review. I’ve been familiar with the company since Zombies, moved through When Darkness Comes, and looked forward to their Deadlands release (I didn’t get a chance to play a demo, but I did hover for a little bit while a quartet enjoyed a brief visit to the weird west. Today, I’m reviewing Martians.
Martians is a tile-based board game similar to Zombies. The game is intended for two to six players, ages thirteen and up. I should go ahead and point out that my five-year-old son, a board game enthusiast, wanted to try out this game. After reading the rules and deciding to go with the cooperative version, I told him he could try. Except for reading the cards, he quickly grasped the fundamental concepts of the game. He places little green men and tokens accurately; furthermore, he understood the turn sequence just as well as his dad (who had to sometimes look at the rules).
Of Evil and Darkness follows a film crew to a mysterious island, where they are trying to find out more about the island and the mysterious murders that took place there long ago. The story starts off with humor, as even by issue two the story helps even a casual reader get adjusted to each character and their individual quirks. Upon arriving at the island, the crew is filled with a sense of nervousness from the stories about the island, and as the story progresses each character starts to become afraid. Soon they find that the stories about the island are very real, as they experience the events that took place many years ago, as a nightmare is resurrected on the island and it begins to hunt the crew down and murder them.
The film crew have unique personalities to them. From Henrick, the medium who travels with the cast and seems to foreshadow the evil events that are about to happen by his strange predictions, to the light-hearted nature of Jimmy as he tries to use humor to deal with the horror and anxiety around him.
Rocky Joe Shields dives in to District 9 for Flames Rising.
Based on the short film Alive in Joburg, District 9 is more than just a mere science fiction summer action movie. Director Neill Blomkamp has created an exciting new world; the basis for this world is an alien-landing. Called “prawns,” the aliens landed 20 years ago over the South African city of Johannesburg. In District 9, we learn what has transpired over the next 20 years through interviews filmed in a documentary style. The people of Johannesburg have had enough, and want the aliens out of their city.
The movie begins with geeky bureaucrat Wikus van der Merwe, played wonderfully by newcomer Sharlto Copley, who has been assigned the task of getting the aliens to leave for District 10. Unfortunately, when Wikus comes into contact with an alien cylinder and sprays himself with the fluid inside, his DNA mutates, then turns him into one of the alien prawns.
It’s a world where jetpack-toting heroes combat Fly-By-Nights (a combination of toad, bat, and gorilla). It’s a world where a 200-foot tall tidal wave decimated the North American East Coast. It’s a pulp setting full of Communists, Klansmen, Norse myth, and much more. It’s a world that comes from the twisted mind of Kenneth Hite, and it’s worth staking out. The Day After Ragnarok (DAR from here on out) is a new savage setting for Savage Worlds that takes place in a world where the line between World War II and Norse myth blur, permitting Jörmungander, the Midgard Serpent, entrance to our reality.
DAR’s layout proves Spartan. Cleanliness lends to divinity though in that the finished product looks smart. Instead of the usual two-column format, DAR primarily favors a single column. Neatly placed sidebars work to make an exception to this.
Witchfinder, an adventure for Cthulhu Live 3rd Edition, is designed for a large group to explore some Nazi evil-doings. Stay with me as this is my first true LARP review, so my format may be a little different. This adventure is written for roughly thirty players; however, the writers do make concessions for larger or smaller groups. The PDF comes in several formats. For the purposes of this review, I worked from the grayscale option.
Witchfinder’s layout is really cool, even when toned down. Each page looks burnt and aged around the edges. For the pages of props (Morse Code transcripts), this style will look nice for players. The character sheet handouts also have this border, but are also inset with key information required for the game. The characters’ histories can be folded back or cut off after the information is gleaned. Also, icons for the various (there are quite a few) factions in the game highlight each character insert.
The high concept of James Morrow’s novel Shambling Towards Hiroshima is, quite frankly, almost worth the price of admission by itself. Unbeknownst to most Americans, the Navy had a backup plan in case the Army’s A-Bomb didn’t work out in WWII — genetically engineer giant, fire-breathing lizards to devastate Japan. (But we were building the A-Bomb to devastate Germany, I hear you cry. Never you mind about that.) But unlike our secretive A-Bomb policy, we decided to demonstrate our monsters to the Japanese to give them a chance to surrender first. But (and here’s where it gets really good) we couldn’t devastate anywhere real for a mere demonstration, so the Navy hired the world’s greatest monster-actor, Syms Thorley, to get into a rubber monster suit and stomp around on a model of “Shirazuka” for the cameras. The plan was to show the film to the Japanese and horrify them into surrender.
Can violence solve every problem in the world when applied correctly? Is a quick hand and a quicker trigger finger going to save the world when it really counts? And what about the morality of the common action hero…they look cool as they smoke cigars and fire their guns John Wu style, but are their methods the solution or the problem?
The Prophet is a crime noir comic from Dangerkatt Creative Studios. Set in Mexico, the main character is an underworld assassin by the name of the Prophet. After a series of disturbing dreams, where a black devil keeps offering him deals that would make him the most powerful man on the planet, he has decided he will quit after one last job. Well, a couple of last jobs, it seems. If he can score the Frontera Shipment, which is the largest shipment of drugs across the border into the US, then he believes he and the team he recruits will be able to retire.
As the sixth book in the Otherworld series, Demon Mistress offers a blend of new characters and plot twists that are built the foundation of what Galenorn has written throughout her books. Demon Mistress is told from the point-of-view of Menolly, a half-vampire/half-fae woman who is part of the D’Artigo sisters. Who are the D’Artigo sisters?
Menolly, Camille, and Delilah are the D’Artigo Sisters—half-human, half-Faerie operatives for the Otherworld Intelligence Agency. Their latest assignment is to root out the secret society responsible for unleashing chaos magic against the city—and to stop a demon from devouring Delilah’s soul. –SOURCE: Amazon.com Description of Demon Mistress
Published in 1879, Bram Stoker’s Dracula was one of the reasons why I was drawn to the horror genre. Even though it was published in 1879, I felt it was brilliant the way Stoker wove letters and newspaper clippings together to show the now-infamous characters of Jonathan and Mina Harker, Dr. Steward, Arthur Holmwood, Lucy Westerna and (of course) Dracula. 
