2010 was the Year of the Zombie (again). In fact, the first 10 years of the new millennium can safely be called the Decade of Apocalyptic Fiction. Movies, books, comics — you name it. There was a surge in interest in the sub genre that has never been seen before. And the interest shows no signs of slowing down.

Movies and television shows have managed to incorporate some form of zombie feature. Whether an alien virus taking over the world (in Smallville) or a demon unleashing a plague of the apocalypse (in Supernatural), writers and directors found something to draw in the zombie crowds.

There have also been numerous articles trying to explain the appeal of the zombie culture. Deep sociological analysis, fun fluff pieces, and even courses on respected college campuses.

Another year’s in the books, one spent on the permanent and exhausting search through the horror movie scrap heap looking for the elusive hidden treasures. Unfortunately, this past year was a weak one. There wasn’t a whole lot to get excited about. Despite all the bad flicks, a few managed to rise above the fray, giving me hope for 2011.

As is usually the case, there were several remakes to take with a grain of salt. Some of them furthered the atrophying of the horror genre as it relates to studio backed filmmaking, others were much more horrible than horrifying, and all of them were unnecessary.

2010 is just about over, where did the time go?

This was a pretty big year for me all around, with my expanded role at OneBookShelf (the company behind DriveThruRPG, DriveThruComics and related sites). If you don’t already know, I’m the Publisher Relations and Marketing Manager for OneBookShelf. I had the chance to work some awesome publishers and travel to quite a few conventions across the country. Recently, we got a print program up and running where folks can order print editions of titles like Descended From Darkness from Apex Book Company, Laws of the Night from White Wolf and King Arthur Pendragon from Nocturnal just to name a few. This has been a busy and detailed process working with some great publishers to get this program up and running and I’m looking forward to seeing it further develop in the new year.

This and that and everything …

I hate the New Year.

Ok, I get it, you’re probably thinking “get on with it old man, you hate a lot of things,” but if you’ll indulge me here for a brief moment, then you’ll see that I have something to really say about the New Year.

I really (emphasis is clearly my own) hate the New Year because it forces me to think about the fact that another twelve months of my life has flown by, in what seems to be an ever increasing and perilous amount of speed. It forces me to acknowledge that I am one more year closer to death, one more year removed from the awesomeness/horribleness (not really a word, I’ve slammed two industrial sized Red Bull’s, three pots of coffee and possibly enough over the counter truck stop speed to kill a small battalion of polar bears, so go easy on me) that was my twenties and the foulness that is the onset of my thirties.

We have a new essay for Zombie Week here at Flames Rising. Reviewer Jason Thorson tells us a little bit about indie films and the zombie/survival horror genre.

Horror and low budget filmmaking have always had a symbiotic relationship. But when it comes to really low budget filmmaking, the type that employs guerrilla tactics, stars your friends and acquaintances, and is shot in your mom’s backyard, well that’s zombie territory. Micro budgeted indie horror and the walking dead go together like guitar lessons and Smoke on the Water – the ends require modest means.

The reasons for this cozy relationship of convenience are pretty obvious, mostly involving the “bang for your buck” ratio. With no resources, including money, equipment, and experience, what would the scope of your story be if you decided to shoot a western, for example? What would your costumes look like? Locations? Guns? Horses?

Our design essay series continues with Scott Browne telling us about the process of writing the novel, Fated.

Fated is a dark, irreverent comedy about fate, destiny, and the consequences of getting involved with humans.

The inspiration for Fated was more of a series of connected ideas than an inspiration: a journal entry in 2003 about a character who can see the future because he’s Fate; a scene written in a shopping mall in 2004 from the point-of-view of the same conceptual character; and the splitting of the often married concepts of fate and destiny into two separate characters.

Kevin Lucia is the author of Hiram Grange and the Chosen One, book four of the popular series. He is also an editor and reviewer for Shroud Publishing. In this guest post he talks about what sparked his interest in the horror genre.

I remember when I first became interested in horror. The summer of 1996, I spent lots of time with my friends bumming around Otsego Lake, NY. My best friend’s grandmother owned a cabin there, so we spent all our weekends riding the boat, eating and napping on the dock.

One weekend we got bored. Which country boys tend to do. This usually means trouble. We were lying around on the dock when my friend Joel remarked, “We should take Kevin to the Devil House.”

The 2010 New York Comic Con and New York Anime Festival (NYCC/NYAF) took place at the Javits Center over three days. I had a blast at my first NYCC/NYAF! There was a lot to do and a lot of other fans and professionals to meet. I didn’t get to see everything I wanted to, but there was more than enough to keep everyone (myself included) entertained.

One of the biggest treats at a convention like NYCC/NYAF is getting to talk to the people behind the scenes about what’s going on, what’s coming up, and what fans can look forward to. Here’s a few brief highlights and interviews:

Flames Rising Reviewer Nancy Greene offers up a brief overview of Halloween. She shares a bit about Samhain and a few links to fiction and zines that are definitely worth checking out!

Halloween is a time for mythological creatures, figures of fantasies and nightmares. They walk the streets; they invade every corner of ordinary life. And over the past few years the popularity of the holiday has risen like a zombie out of a poorly-dug grave.

Here are some popular creatures of the holiday, as well as some brief (probably already well-known) info on the origins:

I’m a fan of most Halloween activities, but there’s one that I hold a little nearer and dearer than the rest.  I love visiting haunted attractions!  When done well they’re fully immersive, interactive, and live action horror stories – the ultimate sensory stimulation and overall inspiration for horror fans and horror artists alike.  My enthusiasm for the haunt manifested at an early age.  I grew up in Beloit, Wisconsin – the quintessential post-industrial Midwestern city.  Not a lot to do, but when October shambled around every year my fellow citizens got outright giddy about celebrating the time of year when everything dies, and frankly, resembled more closely our lovely little city.

FlamesRising.com contributor Eric Pollarine blogs about horror music and horror artists in this colorful post about his top ten Halloween songs, albums and soundtracks.

It’s time for Halloween again, that most special of holidays for nerds, RPG folks, fan boys, Goth kids, and freak shows such as us, where we are able to come out come out from wherever we normally hide and celebrate openly, without fear of persecution, our collective weirdness. From the food court in the mall to the back room of the comic shop, from our mother’s basement to the diner down the street, no-not that one, the other one down the street.

I remember thinking when the Harry Potter series was drawing to a conclusion that Halloween was changed forever. After all, who in their right mind would just be a generic witch anymore? With the wizarding world so well known via J. K. Rowling, being a regular ol’ witch would be so passé — get out those graduation robes and a scarf, and you’re officially a wizard or witch associated with his or her house from the old alma mater, Hogwarts. While working in a bookstore cafe, I wore my Gryffindor colors proudly — not because I would test out as a Gryffindor (nearly every Sorting Hat application on the Internet puts me in Hufflepuff), mind you, but because the colors were easier to find in my own wardrobe. I went with a necktie instead of a scarf, which I wore with a v-neck jumper and black pants. Close enough to a school uniform to pass, I’d say!

But to be perfectly honest, I’ve been dressing up as characters from books and movies for a long time.

To help you get into the spirit of Halloween, FlamesRising.com project manager talks about making a costume — for her dice. In this article, find out how Monica made her dice coffin and where she got the inspiration to add black tulle, a mask, and red roses to the coffin lid.

Here’s a sneak peek at what she has to say: Victorian-inspired Halloween decor is one of the hot themes this year; you can find black lace and dead roses almost everywhere you look. Birds like ravens and owls are pretty popular, too. Now, I went a little crazy nutso with the scenery because I wanted it to look three dimensional. I used black tulle, which you can find in any wedding aisle. The flat, red roses were from the scrapbooking section of our local craft store and the owl, mask and bat were die cut stickers from a Halloween display.

Find out more in this fun post about Monica’s quest to make a dice coffin costume.

Last week, I talked about why 13 GHOSTS is a classic horror film. For this week’s article, I decided to talk about a different kind of monster — THE BLOB.

“Released in 1988, The Blob remake is the kind of horror movie that makes you groan, laugh and scream. Creepy violins and cheerful images of a small town set the mood. The first people you meet? Teenagers!”

While every day is Halloween for me, this time of year brings out the best in a lot of free television and movie websites like Crackle.com.

During the month of October, I’m writing about horror movies for Crackle.com from a fan’s perspective. This week, I take a look at the classic horror film 13 Ghosts, which was produced by William Castle.

After seeing some of the trailers that I’ve created, a lot of people ask me how easy it is to create a book trailer and whether or not it’s worthwhile. A lot of people are claiming that one easy way to promote your books is to offer a video book trailer through YouTube! or your website. While the jury is still out as to whether or not sales can be attributed to someone watching a video book trailer, they can help spread the word and, for horror, can allude to the theme of the work.

In this post, I’ll talk about how you can create a promotional trailer for your book or game on a tight budget.

ACD Games Day is an annual tradeshow put on by hobby games distributor ACD Distribution LLC that connects retailers with the top publishers. This year’s show was bigger than last year and offered exhibitors and attendees to explore a brand new location in Downtown Madison.

Industry veteran Boyan Radakovich, who is ACD’s new Marketing Manager, had this to say about his first ACD Games Day.

“I wanted to make sure that ACD Games Day had the feeling of a marquee tradeshow. We moved to the beautiful Monona Terrace Convention Center and Hilton Madison for our event programming. We also increased the number of seminars to sixteen total, including key manufacturer seminars like the Wizards of the Coast track, the Mayfair Demo-2-Demo program, and many others.”

Having attended a show the previous year, I could definitely tell the difference between this year’s and last year’s show. This venue was bigger and well laid out. There were demo tables set up with games throughout the hall and there was a lot of attention to detail — included projected exhibitor and sponsor logos above the exhibition hall.

Like comic conventions? This year for Wizard World, otherwise known as Chicago Comic-Con, I spent the weekend in Artist’s Alley with Leanne Buckley. First off, I should point out that I couldn’t help but compare this convention to C2E2, which was held at the McCormick Place just this past April in Chicago. The difference between the two is pretty distinct, because the venues had a different emphasis from one another. As many fans pointed out to me, there was a noticeable lack of comic book publishers at Wizard World. Most, if not all, of the publishers that were missing had booths at C2E2 this past Spring, so I wasn’t surprised that there was a lack of publishers at this show. I was happy to see that Avatar Press was at Wizard World, and I had a great chat with them. Admittedly, I was a little curious why some of the local Chicago comic book publishers didn’t have a booth at the show.

Whether you’re in this industry of alternative media, or whether you cover this industry of alternative media, there are certain milestones, certain times of the year, places, etc that just stick out and you have to plan on the fact that you’ll be there, you’re going to be there, you’ll have to be there or something close to that line of thought. Because, if you aren’t there or don’t go, then you’re going to miss out on some really great opportunities. Of course I’m talking about conventions. Yes, that (now) time honored tradition of packing up your favorite tee shirts and comfortable shoes, and getting yourself to an expo/convention center huffing your way through town, and breaking your way through the ebb and flow of fan boys, both costumed and under clothed. Some of them unwashed, many smelling like some third world open air market. But the world of comics/alternative media/books and everything else is changing.

Next up for Cthulhu Week we asked reviewer Jason Thorson to tell us about his favorite Lovecraft-inspired movies. Not an easy task to say the least, but we were certainly willing to risk his sanity for this investigation.

Read on to learn of the challenges he faced…

In the interest of full disclosure, I have to give you some background on what you’re currently reading – what’s now become a ranting blog on H.P. Lovecraft film adaptations. My initial intention was to write a feature about the nature of Lovecraftian flicks and then list the five best examples. However, I immediately anticipated some difficulty. My original thesis was that most of these films don’t work, but surely there have been so many attempts to adapt Lovecraft’s work that I’d certainly be able to find five movies worthy of recommendation. Right?

Wrong.